会员:密码:注册会员忘记密码?网站帮助我浏览过的资料
设为首页加入收藏夹加入QQ书签论坛
首页每天学英语背单词语法词汇口语阅读写作翻译寓言影视名著绕口令四六级笑话外语动态诗歌散文

您所在的位置: 大耳朵首页 > 文章资料 > 能力提高 > 英语写作 > 正文

站内搜索:

大耳朵在线背单词,测你词汇量:
tangibility/[͵tændʒi'biliti]/n.确实性,确切性,真实性
How to Spesk and Write Correctly
本文属阅读资料,没有听力
Project Gutenberg's How to Speak and Write Correctly, by Joseph Devlin



Copyright laws are changing all over the world. Be sure to check the

copyright laws for your country before downloading or redistributing

this or any other Project Gutenberg eBook.



This header should be the first thing seen when viewing this Project

Gutenberg file. Please do not remove it. Do not change or edit the

header without written permission.



Please read the "legal small print," and other information about the

eBook and Project Gutenberg at the bottom of this file. Included is

important information about your specific rights and restrictions in

how the file may be used. You can also find out about how to make a

donation to Project Gutenberg, and how to get involved.





**Welcome To The World of Free Plain Vanilla Electronic Texts**



**eBooks Readable By Both Humans and By Computers, Since 1971**



*****These eBooks Were Prepared By Thousands of Volunteers!*****





Title: How to Speak and Write Correctly



Author: Joseph Devlin



Release Date: September, 2004 [EBook #6409]

[Yes, we are more than one year ahead of schedule]

[This file was first posted on December 8, 2002]

[Date last updated: May 2, 2006]



Edition: 10



Language: English



Character set encoding: ASCII



*** START OF THE PROJECT GUTENBERG EBOOK HOW TO SPEAK AND WRITE ***









Produced by Tom Allen, Charles Franks

and the Online Distributed Proofreading Team.











HOW TO

SPEAK AND WRITE

CORRECTLY



By

JOSEPH DEVLIN, M.A.



Edited by

THEODORE WATERS









THE CHRISTIAN HERALD

BIBLE HOUSE

NEW YORK



Copyright, 1910, by

THE CHRISTIAN HERALD

NEW YORK







CONTENTS





CHAPTER I

REQUIREMENTS OF SPEECH

Vocabulary. Parts of speech. Requisites.



CHAPTER II

ESSENTIALS OF ENGLISH GRAMMAR

Divisions of grammar. Definitions. Etymology.



CHAPTER III

THE SENTENCE

Different kinds. Arrangement of words. Paragraph.



CHAPTER IV

FIGURATIVE LANGUAGE

Figures of speech. Definitions and examples. Use of figures.



CHAPTER V

PUNCTUATION

Principal points. Illustrations. Capital letters.



CHAPTER VI

LETTER WRITING

Principles of letter writing. Forms. Notes.



CHAPTER VII

ERRORS

Mistakes. Slips of authors. Examples and corrections. Errors of redundancy.



CHAPTER VIII

PITFALLS TO AVOID

Common stumbling blocks. Peculiar constructions. Misused forms.



CHAPTER IX

STYLE

Diction. Purity. Propriety. Precision.



CHAPTER X

SUGGESTIONS

How to write. What to write. Correct speaking and speakers.



CHAPTER XI

SLANG

Origin. American slang. Foreign slang.



CHAPTER XII

WRITING FOR NEWSPAPERS

Qualification. Appropriate subjects. Directions.



CHAPTER XIII

CHOICE OF WORDS

Small words. Their importance. The Anglo-Saxon element.



CHAPTER XIV

ENGLISH LANGUAGE

Beginning. Different Sources. The present.



CHAPTER XV

MASTERS AND MASTERPIECES OF LITERATURE

Great authors. Classification. The world's best books.









INTRODUCTION





In the preparation of this little work the writer has kept one end in

view, viz.: To make it serviceable for those for whom it is intended,

that is, for those who have neither the time nor the opportunity, the

learning nor the inclination, to peruse elaborate and abstruse treatises

on Rhetoric, Grammar, and Composition. To them such works are as gold

enclosed in chests of steel and locked beyond power of opening. This book

has no pretension about it whatever,--it is neither a Manual of Rhetoric,

expatiating on the dogmas of style, nor a Grammar full of arbitrary rules

and exceptions. It is merely an effort to help ordinary, everyday people

to express themselves in ordinary, everyday language, in a proper manner.

Some broad rules are laid down, the observance of which will enable the

reader to keep within the pale of propriety in oral and written language.

Many idiomatic words and expressions, peculiar to the language, have been

given, besides which a number of the common mistakes and pitfalls have

been placed before the reader so that he may know and avoid them.



The writer has to acknowledge his indebtedness to no one in _particular_,

but to all in _general_ who have ever written on the subject.



The little book goes forth--a finger-post on the road of language

pointing in the right direction. It is hoped that they who go according

to its index will arrive at the goal of correct speaking and writing.









CHAPTER I



REQUIREMENTS OF SPEECH



Vocabulary--Parts of Speech--Requisites





It is very easy to learn how to speak and write correctly, as for all

purposes of ordinary conversation and communication, only about 2,000

different words are required. The mastery of just twenty hundred words,

the knowing where to place them, will make us not masters of the English

language, but masters of correct speaking and writing. Small number, you

will say, compared with what is in the dictionary! But nobody ever uses

all the words in the dictionary or could use them did he live to be the

age of Methuselah, and there is no necessity for using them.



There are upwards of 200,000 words in the recent editions of the large

dictionaries, but the one-hundredth part of this number will suffice for

all your wants. Of course you may think not, and you may not be content

to call things by their common names; you may be ambitious to show

superiority over others and display your learning or, rather, your

pedantry and lack of learning. For instance, you may not want to call a

spade a spade. You may prefer to call it a spatulous device for abrading

the surface of the soil. Better, however, to stick to the old familiar,

simple name that your grandfather called it. It has stood the test of

time, and old friends are always good friends.



To use a big word or a foreign word when a small one and a familiar one

will answer the same purpose, is a sign of ignorance. Great scholars and

writers and polite speakers use simple words.



To go back to the number necessary for all purposes of conversation

correspondence and writing, 2,000, we find that a great many people who

pass in society as being polished, refined and educated use less, for

they know less. The greatest scholar alive hasn't more than four thousand

different words at his command, and he never has occasion to use half the

number.



In the works of Shakespeare, the most wonderful genius the world has ever

known, there is the enormous number of 15,000 different words, but almost

10,000 of them are obsolete or meaningless today.



Every person of intelligence should be able to use his mother tongue

correctly. It only requires a little pains, a little care, a little study

to enable one to do so, and the recompense is great.



Consider the contrast between the well-bred, polite man who knows how to

choose and use his words correctly and the underbred, vulgar boor, whose

language grates upon the ear and jars the sensitiveness of the finer

feelings. The blunders of the latter, his infringement of all the canons

of grammar, his absurdities and monstrosities of language, make his very

presence a pain, and one is glad to escape from his company.



The proper grammatical formation of the English language, so that one may

acquit himself as a correct conversationalist in the best society or be

able to write and express his thoughts and ideas upon paper in the right

manner, may be acquired in a few lessons.



It is the purpose of this book, as briefly and concisely as possible, to

direct the reader along a straight course, pointing out the mistakes he

must avoid and giving him such assistance as will enable him to reach the

goal of a correct knowledge of the English language. It is not a Grammar

in any sense, but a guide, a silent signal-post pointing the way in the

right direction.





THE ENGLISH LANGUAGE IN A NUTSHELL



All the words in the English language are divided into nine great

classes. These classes are called the Parts of Speech. They are Article,

Noun, Adjective, Pronoun, Verb, Adverb, Preposition, Conjunction and

Interjection. Of these, the Noun is the most important, as all the others

are more or less dependent upon it. A Noun signifies the name of any

person, place or thing, in fact, anything of which we can have either

thought or idea. There are two kinds of Nouns, Proper and Common. Common

Nouns are names which belong in common to a race or class, as _man_,

_city_. Proper Nouns distinguish individual members of a race or class as

_John_, _Philadelphia_. In the former case _man_ is a name which belongs

in common to the whole race of mankind, and _city_ is also a name which

is common to all large centres of population, but _John_ signifies a

particular individual of the race, while _Philadelphia_ denotes a

particular one from among the cities of the world.



Nouns are varied by Person, Number, Gender, and Case. Person is that

relation existing between the speaker, those addressed and the subject

under consideration, whether by discourse or correspondence. The Persons

are _First_, _Second_ and _Third_ and they represent respectively the

speaker, the person addressed and the person or thing mentioned or under

consideration.



_Number_ is the distinction of one from more than one. There are two

numbers, singular and plural; the singular denotes one, the plural two or

more. The plural is generally formed from the singular by the addition of

_s_ or _es_.



_Gender_ has the same relation to nouns that sex has to individuals, but

while there are only two sexes, there are four genders, viz., masculine,

feminine, neuter and common. The masculine gender denotes all those of

the male kind, the feminine gender all those of the female kind, the

neuter gender denotes inanimate things or whatever is without life, and

common gender is applied to animate beings, the sex of which for the time

being is indeterminable, such as fish, mouse, bird, etc. Sometimes things

which are without life as we conceive it and which, properly speaking,

belong to the neuter gender, are, by a figure of speech called

Personification, changed into either the masculine or feminine gender,

as, for instance, we say of the sun, _He_ is rising; of the moon, _She_

is setting.



_Case_ is the relation one noun bears to another or to a verb or to a

preposition. There are three cases, the _Nominative_, the _Possessive_

and the _Objective_. The nominative is the subject of which we are

speaking or the agent which directs the action of the verb; the

possessive case denotes possession, while the objective indicates the

person or thing which is affected by the action of the verb.



An _Article_ is a word placed before a noun to show whether the latter is

used in a particular or general sense. There are but two articles, _a_ or

_an_ and _the_.



An _Adjective_ is a word which qualifies a noun, that is, which shows

some distinguishing mark or characteristic belonging to the noun.





DEFINITIONS



A _Pronoun_ is a word used for or instead of a noun to keep us from

repeating the same noun too often. Pronouns, like nouns, have case,

number, gender and person. There are three kinds of pronouns, _personal_,

_relative_ and _adjective_.



A _verb_ is a word which signifies action or the doing of something. A

verb is inflected by tense and mood and by number and person, though the

latter two belong strictly to the subject of the verb.



An _adverb_ is a word which modifies a verb, an adjective and sometimes

another adverb.



A _preposition_ serves to connect words and to show the relation between

the objects which the words express.



A _conjunction_ is a word which joins words, phrases, clauses and

sentences together.



An _interjection_ is a word which expresses surprise or some sudden

emotion of the mind.





THREE ESSENTIALS



The three essentials of the English language are: _Purity_, _Perspicuity_

and _Precision_.



By _Purity_ is signified the use of good English. It precludes the use of

all slang words, vulgar phrases, obsolete terms, foreign idioms, ambiguous

expressions or any ungrammatical language whatsoever. Neither does it

sanction the use of any newly coined word until such word is adopted by

the best writers and speakers.



_Perspicuity_ demands the clearest expression of thought conveyed in

unequivocal language, so that there may be no misunderstanding whatever

of the thought or idea the speaker or writer wishes to convey. All

ambiguous words, words of double meaning and words that might possibly be

construed in a sense different from that intended, are strictly

forbidden. Perspicuity requires a style at once clear and comprehensive

and entirely free from pomp and pedantry and affectation or any straining

after effect.



_Precision_ requires concise and exact expression, free from redundancy

and tautology, a style terse and clear and simple enough to enable the

hearer or reader to comprehend immediately the meaning of the speaker or

writer. It forbids, on the one hand, all long and involved sentences,

and, on the other, those that are too short and abrupt. Its object is to

strike the golden mean in such a way as to rivet the attention of the

hearer or reader on the words uttered or written.









CHAPTER II



ESSENTIALS OF ENGLISH GRAMMAR



Divisions of Grammar--Definitions--Etymology.





In order to speak and write the English language correctly, it is

imperative that the fundamental principles of the Grammar be mastered,

for no matter how much we may read of the best authors, no matter how

much we may associate with and imitate the best speakers, if we do not

know the underlying principles of the correct formation of sentences and

the relation of words to one another, we will be to a great extent like

the parrot, that merely repeats what it hears without understanding the

import of what is said. Of course the parrot, being a creature without

reason, cannot comprehend; it can simply repeat what is said to it, and

as it utters phrases and sentences of profanity with as much facility as

those of virtue, so by like analogy, when we do not understand the

grammar of the language, we may be making egregious blunders while

thinking we are speaking with the utmost accuracy.





DIVISIONS OF GRAMMAR



There are four great divisions of Grammar, viz.:



_Orthography_, _Etymology_, _Syntax_, and _Prosody_.



_Orthography_ treats of letters and the mode of combining them into words.



_Etymology_ treats of the various classes of words and the changes they

undergo.



_Syntax_ treats of the connection and arrangement of words in sentences.



_Prosody_ treats of the manner of speaking and reading and the different

kinds of verse.



The three first mentioned concern us most.





LETTERS



A _letter_ is a mark or character used to represent an articulate sound.

Letters are divided into _vowels_ and _consonants_. A vowel is a letter

which makes a distinct sound by itself. Consonants cannot be sounded

without the aid of vowels. The vowels are _a_, _e_, _i_, _o_, _u_, and

sometimes _w_ and _y_ when they do not begin a word or syllable.





SYLLABLES AND WORDS



A syllable is a distinct sound produced by a single effort of

[Transcriber's note: 1-2 words illegible] shall, pig, dog. In every

syllable there must be at least one vowel.



A word consists of one syllable or a combination of syllables.



Many rules are given for the dividing of words into syllables, but the

best is to follow as closely as possible the divisions made by the organs

of speech in properly pronouncing them.





THE PARTS OF SPEECH



ARTICLE



An _Article_ is a word placed before a noun to show whether the noun is

used in a particular or general sense.



There are two articles, _a_ or _an_ and _the_. _A_ or _an_ is called the

indefinite article because it does not point put any particular person or

thing but indicates the noun in its widest sense; thus, _a_ man means any

man whatsoever of the species or race.



_The_ is called the definite article because it points out some particular

person or thing; thus, _the_ man means some particular individual.





NOUN



A _noun_ is the name of any person, place or thing as _John_, _London_,

_book_. Nouns are proper and common.



_Proper_ nouns are names applied to _particular_ persons or places.



_Common_ nouns are names applied to a whole kind or species.



Nouns are inflected by _number_, _gender_ and _case_.



_Number_ is that inflection of the noun by which we indicate whether it

represents one or more than one.



_Gender_ is that inflection by which we signify whether the noun is the

name of a male, a female, of an inanimate object or something which has

no distinction of sex.



_Case_ is that inflection of the noun which denotes the state of the

person, place or thing represented, as the subject of an affirmation or

question, the owner or possessor of something mentioned, or the object of

an action or of a relation.



Thus in the example, "John tore the leaves of Sarah's book," the

distinction between _book_ which represents only one object and _leaves_

which represent two or more objects of the same kind is called _Number_;

the distinction of sex between _John_, a male, and _Sarah_, a female, and

_book_ and _leaves_, things which are inanimate and neither male nor

female, is called _Gender_; and the distinction of state between _John_,

the person who tore the book, and the subject of the affirmation, _Mary_,

the owner of the book, _leaves_ the objects torn, and _book_ the object

related to leaves, as the whole of which they were a part, is called

_Case_.





ADJECTIVE



An _adjective_ is a word which qualifies a noun, that is, shows or

points out some distinguishing mark or feature of the noun; as, A

_black_ dog.



Adjectives have three forms called degrees of comparison, the _positive_,

the _comparative_ and the _superlative_.



The _positive_ is the simple form of the adjective without expressing

increase or diminution of the original quality: _nice_.



The _comparative_ is that form of the adjective which expresses increase

or diminution of the quality: _nicer_.



The _superlative_ is that form which expresses the greatest increase or

diminution of the quality: _nicest_.



_or_



An adjective is in the positive form when it does not express comparison;

as, "A _rich_ man."



An adjective is in the comparative form when it expresses comparison

between two or between one and a number taken collectively, as, "John is

_richer_ than James"; "he is _richer_ than all the men in Boston."



An adjective is in the superlative form when it expresses a comparison

between one and a number of individuals taken separately; as, "John is

the _richest_ man in Boston."



Adjectives expressive of properties or circumstances which cannot be

increased have only the positive form; as, A _circular_ road; the _chief_

end; an _extreme_ measure.



Adjectives are compared in two ways, either by adding _er_ to the positive

to form the comparative and _est_ to the positive to form the superlative,

or by prefixing _more_ to the positive for the comparative and _most_ to

the positive for the superlative; as, _handsome_, _handsomer_, _handsomest_

or _handsome_, _more handsome_, _most handsome_.



Adjectives of two or more syllables are generally compared by prefixing

more and most.



Many adjectives are irregular in comparison; as, Bad, worse, worst; Good,

better, best.





PRONOUN



A _pronoun_ is a word used in place of a noun; as, "John gave his pen to

James and _he_ lent it to Jane to write _her_ copy with _it_." Without

the pronouns we would have to write this sentence,--"John gave John's pen

to James and James lent the pen to Jane to write Jane's copy with the

pen."



There are three kinds of pronouns--Personal, Relative and Adjective

Pronouns.



_Personal_ Pronouns are so called because they are used instead of the

names of persons, places and things. The Personal Pronouns are _I_,

_Thou_, _He_, _She_, and _It_, with their plurals, _We_, _Ye_ or _You_

and _They_.



_I_ is the pronoun of the first person because it represents the person

speaking.



_Thou_ is the pronoun of the second person because it represents the

person spoken to.



_He_, _She_, _It_ are the pronouns of the third person because they

represent the persons or things of whom we are speaking.



Like nouns, the Personal Pronouns have number, gender and case. The

gender of the first and second person is obvious, as they represent the

person or persons speaking and those who are addressed. The personal

pronouns are thus declined:





First Person.

M. or F.



Sing. Plural.

N. I We

P. Mine Ours

O. Me Us





Second Person.

M. or F.



Sing. Plural.

N. Thou You

P. Thine Yours

O. Thee You





Third Person.

M.



Sing. Plural.

N. He They

P. His Theirs

O. Him Them





Third Person.

F.



Sing. Plural.

N. She They

P. Hers Theirs

O. Her Them





Third Person.

Neuter.



Sing. Plural.

N. It They

P. Its Theirs

O. It Them





N. B.--In colloquial language and ordinary writing Thou, Thine and Thee

are seldom used, except by the Society of Friends. The Plural form You is

used for both the nominative and objective singular in the second person

and Yours is generally used in the possessive in place of Thine.



The _Relative_ Pronouns are so called because they relate to some word or

phrase going before; as, "The boy _who_ told the truth;" "He has done

well, _which_ gives me great pleasure."



Here _who_ and _which_ are not only used in place of other words, but

_who_ refers immediately to boy, and _which_ to the circumstance of his

having done well.



The word or clause to which a relative pronoun refers is called the

_Antecedent_.



The Relative Pronouns are _who_, _which_, _that_ and _what_.



_Who_ is applied to persons only; as, "The man _who_ was here."



_Which_ is applied to the lower animals and things without life; as, "The

horse _which_ I sold." "The hat _which_ I bought."



_That_ is applied to both persons and things; as, "The friend _that_

helps." "The bird _that_ sings." "The knife _that_ cuts."



_What_ is a compound relative, including both the antecedent and the

relative and is equivalent to _that which_; as, "I did what he desired,"

i. e. "I did _that which_ he desired."



Relative pronouns have the singular and plural alike.



_Who_ is either masculine or feminine; _which_ and _that_ are masculine,

feminine or neuter; _what_ as a relative pronoun is always neuter.



_That_ and _what_ are not inflected.



_Who_ and _which_ are thus declined:





Sing. and Plural Sing. and Plural



N. Who N. Which

P. Whose P. Whose

O. Whom O. Which





_Who_, _which_ and _what_ when used to ask questions are called

_Interrogative Pronouns_.



_Adjective_ Pronouns partake of the nature of adjectives and pronouns and

are subdivided as follows:



_Demonstrative Adjective Pronouns_ which directly point out the person or

object. They are _this_, _that_ with their plurals _these_, _those_, and

_yon_, _same_ and _selfsame_.



_Distributive Adjective Pronouns_ used distributively. They are _each_,

_every_, _either_, _neither_.



_Indefinite Adjective Pronouns_ used more or less indefinitely. They are

_any_, _all_, _few_, _some_, _several_, _one_, _other_, _another_, _none_.



_Possessive Adjective Pronouns_ denoting possession. They are _my_, _thy_,

_his_, _her_, _its_, _our_, _your_, _their_.



N. B.--(The possessive adjective pronouns differ from the possessive case

of the personal pronouns in that the latter can stand _alone_ while the

former _cannot_. "Who owns that book?" "It is _mine_." You cannot say "it

is _my_,"--the word book must be repeated.)





THE VERB



A _verb_ is a word which implies action or the doing of something, or it

may be defined as a word which affirms, commands or asks a question.



Thus, the words _John the table_, contain no assertion, but when the word

_strikes_ is introduced, something is affirmed, hence the word _strikes_

is a verb and gives completeness and meaning to the group.



The simple form of the verb without inflection is called the _root_ of

the verb; _e. g. love_ is the root of the verb,--"To Love."



Verbs are _regular_ or _irregular_, _transitive_ or _intransitive_.



A verb is said to be _regular_ when it forms the past tense by adding

_ed_ to the present or _d_ if the verb ends in _e_. When its past tense

does not end in _ed_ it is said to be _irregular_.



A _transitive_ verb is one the action of which passes over to or affects

some object; as "I struck the table." Here the action of striking

affected the object table, hence struck is a transitive verb.



An _intransitive_ verb is one in which the action remains with the subject;

as _"I walk,"_ _"I sit,"_ _"I run."_



Many intransitive verbs, however, can be used transitively; thus, "I _walk_

the horse;" _walk_ is here transitive.



Verbs are inflected by _number_, _person_, _tense_ and _mood_.



_Number_ and _person_ as applied to the verb really belong to the

subject; they are used with the verb to denote whether the assertion is

made regarding one or more than one and whether it is made in reference

to the person speaking, the person spoken to or the person or thing

spoken about.





TENSE



In their tenses verbs follow the divisions of time. They have _present

tense_, _past tense_ and _future tense_ with their variations to express

the exact time of action as to an event happening, having happened or yet

to happen.





MOOD



There are four simple moods,--the _Infinitive_, the _Indicative_, the

_Imperative_ and the _Subjunctive_.



The Mood of a verb denotes the mode or manner in which it is used. Thus

if it is used in its widest sense without reference to person or number,

time or place, it is in the _Infinitive_ Mood; as "To run." Here we are

not told who does the running, when it is done, where it is done or

anything about it.



When a verb is used to indicate or declare or ask a simple question or

make any direct statement, it is in the _Indicative_ Mood. "The boy loves

his book." Here a direct statement is made concerning the boy. "Have you

a pin?" Here a simple question is asked which calls for an answer.



When the verb is used to express a command or entreaty it is in the

_Imperative_ Mood as, "Go away." "Give me a penny."



When the verb is used to express doubt, supposition or uncertainty or

when some future action depends upon a contingency, it is in the

subjunctive mood; as, "If I come, he shall remain."



Many grammarians include a fifth mood called the _potential_ to express

_power_, _possibility_, _liberty_, _necessity_, _will_ or _duty_. It is

formed by means of the auxiliaries _may_, _can_, _ought_ and _must_, but

in all cases it can be resolved into the indicative or subjunctive. Thus,

in "I may write if I choose," "may write" is by some classified as in the

potential mood, but in reality the phrase _I may write_ is an indicative

one while the second clause, _if I choose_, is the expression of a

condition upon which, not my liberty to write, depends, but my actual

writing.



Verbs have two participles, the present or imperfect, sometimes called

the _active_ ending in _ing_ and the past or perfect, often called the

_passive_, ending in _ed_ or _d_.



The _infinitive_ expresses the sense of the verb in a substantive form,

the participles in an adjective form; as "To rise early is healthful."

"An early rising man." "The newly risen sun."



The participle in _ing_ is frequently used as a substantive and

consequently is equivalent to an infinitive; thus, "To rise early is

healthful" and "Rising early is healthful" are the same.



The principal parts of a verb are the Present Indicative, Past Indicative

and Past Participle; as:



Love Loved Loved



Sometimes one or more of these parts are wanting, and then the verb is

said to be defective.





Present Past Passive Participle



Can Could (Wanting)

May Might "

Shall Should "

Will Would "

Ought Ought "





Verbs may also be divided into _principal_ and _auxiliary_. A _principal_

verb is that without which a sentence or clause can contain no assertion

or affirmation. An _auxiliary_ is a verb joined to the root or participles

of a principal verb to express time and manner with greater precision

than can be done by the tenses and moods in their simple form. Thus, the

sentence, "I am writing an exercise; when I shall have finished it I

shall read it to the class." has no meaning without the principal verbs

_writing_, _finished read_; but the meaning is rendered more definite,

especially with regard to time, by the auxiliary verbs _am_, _have_,

_shall_.



There are nine auxiliary or helping verbs, viz., _Be_, _have_, _do_,

_shall_, _will_, _may_, _can_, _ought_, and _must_. They are called

helping verbs, because it is by their aid the compound tenses are formed.





TO BE



The verb _To Be_ is the most important of the auxiliary verbs. It has

eleven parts, viz., _am, art, is, are, was, wast, were, wert; be, being_

and _been_.





VOICE



The _active voice_ is that form of the verb which shows the Subject not

being acted upon but acting; as, "The cat _catches_ mice." "Charity

_covers_ a multitude of sins."



The _passive voice_: When the action signified by a transitive verb is

thrown back upon the agent, that is to say, when the subject of the verb

denotes the recipient of the action, the verb is said to be in the

passive voice. "John was loved by his neighbors." Here John the subject

is also the object affected by the loving, the action of the verb is

thrown back on him, hence the compound verb _was loved_ is said to be in

the _passive voice_. The passive voice is formed by putting the perfect

participle of any _transitive_ verb with any of the eleven parts of the

verb _To Be_.





CONJUGATION



The _conjugation_ of a verb is its orderly arrangement in voices, moods,

tenses, persons and numbers.



Here is the complete conjugation of the verb "Love"--_Active Voice_.





PRINCIPAL PARTS



Present Past Past Participle

Love Loved Loved





Infinitive Mood



To Love





Indicative Mood

PRESENT TENSE



Sing. Plural

1st person I love We love

2nd person You love You love

3rd person He loves They love





PAST TENSE



Sing. Plural

1st person I loved We loved

2nd person You loved You loved

3rd person He loved They loved





FUTURE TENSE



Sing. Plural

1st person I shall love They will love

2nd person You will love You will love

3rd person He will love We shall love





PRESENT PERFECT TENSE



Sing. Plural

1st person I have loved We have loved

2nd person You have loved You have loved

3rd person He has loved They have loved





PAST PERFECT TENSE



Sing. Plural

1st person I had loved We had loved

2nd person You had loved You had loved

3rd person He had loved They had loved





FUTURE PERFECT TENSE



Sing. Plural

1st person I shall have loved We shall have loved

2nd person You will have loved You will have loved

3rd person He will have loved They will have loved





Imperative Mood

(PRESENT TENSE ONLY)



Sing. Plural

2nd person Love (you) Love (you)





Subjunctive Mood

PRESENT TENSE



Sing. Plural

1st person If I love If we love

2nd person If you love If you love

3rd person If he love If they love





PAST TENSE



Sing. Plural

1st person If I loved If we loved

2nd person If you loved If you loved

3rd person If he loved If they loved





PRESENT PERFECT TENSE



Sing. Plural

1st person If I have loved If we have loved

2nd person If you have loved If you have loved

3rd person If he has loved If they have loved





PAST PERFECT TENSE



Sing. Plural

1st person If I had loved If we had loved

2nd person If you had loved If you had loved

3rd person If he had loved If they had loved





INFINITIVES



Present Perfect

To love To have loved





PARTICIPLES



Present Past Perfect

Loving Loved Having loved





CONJUGATION OF "To Love"

Passive Voice

Indicative Mood



PRESENT TENSE



Sing. Plural

1st person I am loved We are loved

2nd person You are loved You are loved

3rd person He is loved They are loved





PAST TENSE



Sing. Plural

1st person I was loved We were loved

2nd person You were loved You were loved

3rd person He was loved They were loved





FUTURE TENSE



Sing. Plural

1st person I shall be loved We shall be loved

2nd person You will be loved You will be loved

3rd person He will be loved They will be loved





PRESENT PERFECT TENSE



Sing. Plural

1st person I have been loved We have been loved

2nd person You have been loved You have been loved

3rd person He has been loved They have been loved





PAST PERFECT TENSE



Sing. Plural

1st person I had been loved We had been loved

2nd person You had been loved You had been loved

3rd person He had been loved They had been loved





FUTURE PERFECT TENSE



Sing. Plural

1st person I shall have been loved We shall have been loved

2nd person You will have been loved You will have been loved

3rd person He will have been loved They will have been loved





Imperative Mood

(PRESENT TENSE ONLY)



Sing. Plural

2nd person Be (you) loved Be (you) loved





Subjunctive Mood

PRESENT TENSE



Sing. Plural

1st person If I be loved If we be loved

2nd person If you be loved If you be loved

3rd person If he be loved If they be loved





PAST TENSE



Sing. Plural

1st person If I were loved If they were loved

2nd person If you were loved If you were loved

3rd person If he were loved If we were loved





PRESENT PERFECT TENSE



Sing. Plural

1st person If I have been loved If we have been loved

2nd person If you have been loved If you have been loved

3rd person If he has been loved If they have been loved





PAST PERFECT TENSE



Sing. Plural

1st person If I had been loved If we had been loved

2nd person If you had been loved If you had been loved

3rd person If he had been loved If they had been loved





INFINITIVES



Present Perfect

To be loved To have been loved





PARTICIPLES



Present Past Perfect

Being loved Been loved Having been loved





(N. B.--Note that the plural form of the personal pronoun, _you_, is used

in the second person singular throughout. The old form _thou_, except in

the conjugation of the verb "To Be," may be said to be obsolete. In the

third person singular he is representative of the three personal pronouns

of the third person, _He_, _She_ and _It_.)





ADVERB



An _adverb_ is a word which modifies a verb, an adjective or another

adverb. Thus, in the example--"He writes _well_," the adverb shows the

manner in which the writing is performed; in the examples--"He is

remarkably diligent" and "He works very faithfully," the adverbs modify

the adjective _diligent_ and the other adverb _faithfully_ by expressing

the degree of diligence and faithfulness.



Adverbs are chiefly used to express in one word what would otherwise

require two or more words; thus, _There_ signifies in that place;

_whence_, from what place; _usefully_, in a useful manner.



Adverbs, like adjectives, are sometimes varied in their terminations to

express comparison and different degrees of quality.



Some adverbs form the comparative and superlative by adding _er_ and

_est_; as, _soon_, _sooner_, _soonest_.



Adverbs which end in _ly_ are compared by prefixing _more_ and _most_;

as, _nobly_, _more nobly_, _most nobly_.



A few adverbs are irregular in the formation of the comparative and

superlative; as, _well_, _better_, _best_.





PREPOSITION



A _preposition_ connects words, clauses, and sentences together and shows

the relation between them. "My hand is on the table" shows relation

between hand and table.



Prepositions are so called because they are generally placed _before_ the

words whose connection or relation with other words they point out.





CONJUNCTION



A _conjunction_ joins words, clauses and sentences; as "John _and_

James." "My father and mother have come, _but_ I have not seen them."



The conjunctions in most general use are _and, also; either, or; neither,

nor; though, yet; but, however; for, that; because, since; therefore,

wherefore, then; if, unless, lest_.





INTERJECTION



An _interjection_ is a word used to express some sudden emotion of the

mind. Thus in the examples,--"Ah! there he comes; alas! what shall I do?"

_ah_, expresses surprise, and _alas_, distress.



Nouns, adjectives, verbs and adverbs become interjections when they are

uttered as exclamations, as, _nonsense! strange! hail! away!_ etc.



We have now enumerated the parts of speech and as briefly as possible

stated the functions of each. As they all belong to the same family they

are related to one another but some are in closer affinity than others.

To point out the exact relationship and the dependency of one word on

another is called _parsing_ and in order that every etymological

connection may be distinctly understood a brief resume of the foregoing

essentials is here given:



The signification of the noun is _limited_ to _one_, but to any _one_ of

the kind, by the _indefinite_ article, and to some _particular_ one, or

some particular _number_, by the _definite_ article.



_Nouns_, in one form, represent _one_ of a kind, and in another, _any

number_ more than one; they are the _names of males_, or _females_, or of

objects which are neither male nor female; and they represent the

_subject_ of an affirmation, a command or a question,--the _owner_ or

_possessor_ of a thing,--or the _object_ of an action, or of a relation

expressed by a preposition.



_Adjectives_ express the _qualities_ which distinguish one person or

thing from another; in one form they express quality _without

comparison_; in another, they express comparison _between two_, or

between _one_ and a number taken collectively,--and in a third they

express comparison between _one_ and a _number_ of others taken

separately.



_Pronouns_ are used in place of nouns; one class of them is used merely

as the _substitutes_ of _names_; the pronouns of another class have a

peculiar _reference_ to some _preceding words_ in the _sentence_, of

which they are the substitutes,--and those of a third class refer

adjectively to the persons or things they represent. Some pronouns are

used for both the _name_ and the _substitute_; and several are frequently

employed in _asking questions_.



_Affirmations_ and _commands_ are expressed by the verb; and different

inflections of the verb express _number_, _person_, _time_ and _manner_.

With regard to _time_, an affirmation may be _present_ or _past_ or

_future_; with regard to manner, an affirmation may be _positive_ or

_conditional_, it being doubtful whether the condition is fulfilled or

not, or it being implied that it is not fulfilled;--the verb may express

_command_ or _entreaty_; or the sense of the verb may be expressed

_without affirming_ or _commanding_. The verb also expresses that an

action or state _is_ or _was_ going on, by a form which is also used

sometimes as a noun, and sometimes to qualify nouns.



_Affirmations_ are _modified_ by _adverbs_, some of which can be

inflected to express different degrees of modification.



Words are joined together by _conjunctions_; and the various _relations_

which one thing bears to another are expressed by _'prepositions. Sudden

emotions_ of the mind, and _exclamations_ are expressed by _interjections_.



Some words according to meaning belong sometimes to one part of speech,

sometimes to another. Thus, in "After a storm comes a _calm_," _calm_ is

a noun; in "It is a _calm_ evening," _calm_ is an adjective; and in

"_Calm_ your fears," _calm_ is a verb.



The following sentence containing all the parts of speech is parsed

etymologically:



_"I now see the old man coming, but, alas, he has walked with much

difficulty."_



_I_, a personal pronoun, first person singular, masculine or feminine

gender, nominative case, subject of the verb _see_.



_now_, an adverb of time modifying the verb _see_.



_see_, an irregular, transitive verb, indicative mood, present tense,

first person singular to agree with its nominative or subject I.



_the_, the definite article particularizing the noun man.



_old_, an adjective, positive degree, qualifying the noun man.



_man_, a common noun, 3rd person singular, masculine gender, objective

case governed by the transitive verb _see_.



_coming_, the present or imperfect participle of the verb "to come"

referring to the noun man.



_but_, a conjunction.



_alas_, an interjection, expressing pity or sorrow.



_he_, a personal pronoun, 3rd person singular, masculine gender,

nominative case, subject of verb has walked.



_has walked_, a regular, intransitive verb, indicative mood, perfect tense,

3rd person singular to agree with its nominative or subject _he_.



_with_, a preposition, governing the noun difficulty.



_much_, an adjective, positive degree, qualifying the noun difficulty.



_difficulty_, a common noun, 3rd person singular, neuter gender,

objective case governed by the preposition _with_.



N.B.--_Much_ is generally an adverb. As an adjective it is thus compared:



Positive Comparative Superlative

much more most









CHAPTER III



THE SENTENCE



Different Kinds--Arrangement of Words--Paragraph





A sentence is an assemblage of words so arranged as to convey a determinate

sense or meaning, in other words, to express a complete thought or idea.

No matter how short, it must contain one finite verb and a subject or agent

to direct the action of the verb.



"Birds fly;" "Fish swim;" "Men walk;"--are sentences.



A sentence always contains two parts, something spoken about and something

said about it. The word or words indicating what is spoken about form what

is called the _subject_ and the word or words indicating what is said about

it form what is called the _predicate_.



In the sentences given, _birds_, _fish_ and _men_ are the subjects, while

_fly_, _swim_ and _walk_ are the predicates.



There are three kinds of sentences, _simple_, _compound_ and _complex_.



The _simple sentence_ expresses a single thought and consists of one

subject and one predicate, as, "Man is mortal."



A _compound sentence_ consists of two or more simple sentences of equal

importance the parts of which are either expressed or understood, as,

"The men work in the fields and the women work in the household," or "The

men work in the fields and the women in the household" or "The men and

women work in the fields and in the household."



A _complex sentence_ consists of two or more simple sentences so combined

that one depends on the other to complete its meaning; as; "When he

returns, I shall go on my vacation." Here the words, "when he returns"

are dependent on the rest of the sentence for their meaning.



A _clause_ is a separate part of a complex sentence, as "when he returns"

in the last example.



A _phrase_ consists of two or more words without a finite verb.



Without a finite verb we cannot affirm anything or convey an idea,

therefore we can have no sentence.



Infinitives and participles which are the infinite parts of the verb

cannot be predicates. "I looking up the street" is not a sentence, for it

is not a complete action expressed. When we hear such an expression as "A

dog running along the street," we wait for something more to be added,

something more affirmed about the dog, whether he bit or barked or fell

dead or was run over.



Thus in every sentence there must be a finite verb to limit the subject.



When the verb is transitive, that is, when the action cannot happen

without affecting something, the thing affected is called the _object_.



Thus in "Cain killed Abel" the action of the killing affected Abel. In

"The cat has caught a mouse," mouse is the object of the catching.





ARRANGEMENT OF WORDS IN A SENTENCE



Of course in simple sentences the natural order of arrangement is

subject--verb--object. In many cases no other form is possible. Thus in

the sentence "The cat has caught a mouse," we cannot reverse it and say

"The mouse has caught a cat" without destroying the meaning, and in any

other form of arrangement, such as "A mouse, the cat has caught," we feel

that while it is intelligible, it is a poor way of expressing the fact

and one which jars upon us more or less.



In longer sentences, however, when there are more words than what are

barely necessary for subject, verb and object, we have greater freedom of

arrangement and can so place the words as to give the best effect. The

proper placing of words depends upon perspicuity and precision. These two

combined give _style_ to the structure.



Most people are familiar with Gray's line in the immortal _Elegy_--"The

ploughman homeward plods his weary way." This line can be paraphrased to

read 18 different ways. Here are a few variations:



Homeward the ploughman plods his weary way.

The ploughman plods his weary way homeward.

Plods homeward the ploughman his weary way.

His weary way the ploughman homeward plods.

Homeward his weary way plods the ploughman.

Plods the ploughman his weary way homeward.

His weary way the ploughman plods homeward.

His weary way homeward the ploughman plods.

The ploughman plods homeward his weary way.

The ploughman his weary way plods homeward.



and so on. It is doubtful if any of the other forms are superior to the

one used by the poet. Of course his arrangement was made to comply with

the rhythm and rhyme of the verse. Most of the variations depend upon the

emphasis we wish to place upon the different words.



In arranging the words in an ordinary sentence we should not lose sight

of the fact that the beginning and end are the important places for

catching the attention of the reader. Words in these places have greater

emphasis than elsewhere.



In Gray's line the general meaning conveyed is that a weary ploughman is

plodding his way homeward, but according to the arrangement a very slight

difference is effected in the idea. Some of the variations make us think

more of the ploughman, others more of the plodding, and still others more

of the weariness.



As the beginning and end of a sentence are the most important places, it

naturally follows that small or insignificant words should be kept from

these positions. Of the two places the end one is the more important,

therefore, it really calls for the most important word in the sentence.

Never commence a sentence with _And_, _But_, _Since_, _Because_, and

other similar weak words and never end it with prepositions, small, weak

adverbs or pronouns.



The parts of a sentence which are most closely connected with one another

in meaning should be closely connected in order also. By ignoring this

principle many sentences are made, if not nonsensical, really ridiculous

and ludicrous. For instance: "Ten dollars reward is offered for

information of any person injuring this property by order of the owner."

"This monument was erected to the memory of John Jones, who was shot by

his affectionate brother."



In the construction of all sentences the grammatical rules must be

inviolably observed. The laws of concord, that is, the agreement of

certain words, must be obeyed.



(1) The verb agrees with its subject in person and number. "I have,"

"Thou hast," (the pronoun _thou_ is here used to illustrate the verb

form, though it is almost obsolete), "He has," show the variation of the

verb to agree with the subject. A singular subject calls for a singular

verb, a plural subject demands a verb in the plural; as, "The boy

writes," "The boys write."



The agreement of a verb and its subject is often destroyed by confusing

(1) collective and common nouns; (2) foreign and English nouns; (3)

compound and simple subjects; (4) real and apparent subjects.



(1) A collective noun is a number of individuals or things

regarded as a whole; as, _class regiment_. When the individuals

or things are prominently brought forward, use a plural verb;

as The class _were_ distinguished for ability. When the idea of

the whole as a unit is under consideration employ a singular

verb; as The regiment _was_ in camp. (2) It is sometimes hard

for the ordinary individual to distinguish the plural from the

singular in foreign nouns, therefore, he should be careful in

the selection of the verb. He should look up the word and be

guided accordingly. "He was an _alumnus_ of Harvard." "They

were _alumni_ of Harvard." (3) When a sentence with one verb

has two or more subjects denoting different things, connected

by _and_, the verb should be plural; as, "Snow and rain _are_

disagreeable." When the subjects denote the same thing and are

connected by _or_ the verb should be singular; as, "The man or

the woman is to blame." (4) When the same verb has more than

one subject of different persons or numbers, it agrees with the

most prominent in thought; as, "He, and not you, _is_ wrong."

"Whether he or I _am_ to be blamed."



(2) Never use the past participle for the past tense nor _vice versa_.

This mistake is a very common one. At every turn we hear "He done it" for

"He did it." "The jar was broke" instead of broken. "He would have went"

for "He would have gone," etc.



(3) The use of the verbs _shall_ and _will_ is a rock upon which even

the best speakers come to wreck. They are interchanged recklessly.

Their significance changes according as they are used with the first,

second or third person. With the first person _shall_ is used in direct

statement to express a simple future action; as, "I shall go to the

city to-morrow." With the second and third persons _shall_ is used to

express a deter
Google  热门:英语培训学校英语口语英语翻译英语学习
已有7位对此文章感兴趣的网友发表了看法
非常好 很好 一般 不好 很差
* 如果因您不良评论或重复评论导致评论被删,您将会被扣掉一定数额的金币。
* 您必须遵守《全国人大常委会关于维护互联网安全的决定》及中华人民共和国其他有关法律法规。
* 承担一切因您的行为而直接或间接导致的民事或刑事法律责任。
* 您发表的文章仅代表个人观点,与大耳朵网站无关。
* 大耳朵评论管理人员有权保留或删除其管辖评论中的任意内容。
* 您在大耳朵网评论系统发表的作品,大耳朵网有权在网站内转载或引用。
* 参与本评论即表明您已经阅读并接受上述条款。
英语写作
高瞻远瞩
放眼全球
Google
热门:英语培训学校 英语口语 英语翻译 英语学习
图片新闻更多
推荐资源
经典学习方法更多>>
文章资料目录导航
经典名著 四六级考试 IELTS雅思 听说读写能力 在线语法词典 行业英语一 行业英语二 生活英语 轻松英语 专题英语
双城记 宝岛
战争与和平
悲惨的世界
傲慢与偏见
读圣经学英语
八十天环游地球
考试动态
学习资料
历年真题
模拟试题
心得技巧
学习方法经验
考试动态
考试介绍
考试辅导
历年真题
模拟试题
心得技巧
英语听力
英语口语
英语阅读
英语写作
英语翻译
英语词汇
名词 冠词数词
动词 动名词
代词 形容词
情态 独立主格
倒装 主谓一致
连词 虚拟语气
职场英语
外贸英语
商务英语
银行英语
文化英语
体育英语
房地产英语
会计英语
金融证券
医疗英语
计算机英语
公务员英语
实用英语
电话英语
旅游英语
购物英语
市民英语
宾馆英语
好文共赏
英语文库
名人演说
小说寓言
谚语名言绕口令
笑话幽默 诗歌
笨霖笔记
CNN英语魏
实用九句
双语阅读
发音讲解
分类词汇
updated Mon Oct 13, 2008
免责声明:本站只提供资源播放平台,如果站内部分资源侵犯您的权益,请您告知,站长会立即处理。
Copyright © 2003-2008 大耳朵英语  鲁ICP备05010808号