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Chapter 55
Flight
Inspector Bucket of the Detective has not yet struck his great
blow, as just now chronicled, but is yet refreshing himself
with sleep preparatory to his field-day, when, through the
night and along the freezing wintry roads, a chaise and pair comes
out of Lincolnshire, making its way towards London.
Railroads shall soon traverse all this country, and with a rattle
and a glare the engine and train shall shoot like a meteor over the
wide night-landscape, turning the moon paler; but, as yet, such
things are non-existent in these parts, though not wholly
unexpected. Preparations are afoot, measurements are made,
ground is staked out. Bridges are begun, and their not yet united
piers desolately look at one another over roads and streams, like
brick and mortar couples with an obstacle to their union;
fragments of embankments are thrown up, and left as precipices
with torrents of rusty carts and barrows tumbling over them;
tripods of tall poles appear on hill-tops, where there are rumours
of tunnels; everything looks chaotic, and abandoned in fell
hopelessness. Along the freezing roads, and through the night, the
post-chaise makes its way without a railroad on its mind.
Mrs Rouncewell, so many years housekeeper at Chesney Wold,
sits within the chaise; and by her side sits Mrs Bagnet with her
grey cloak and umbrella. The old girl would prefer the bar in front,
as being exposed to the weather, and a primitive sort of perch
more in accordance with her usual course of travelling; but Mrs
Rouncewell is too thoughtful of her comfort to admit of her
proposing it. The old lady cannot make enough of the old girl. She
sits, in her stately manner, holding her hand, and, regardless of its
roughness, puts it often to her lips. “You are a mother, my dear
soul,” says she many times, “and you found out my George’s
mother!”
“Why, George,” returns Mrs Bagnet, “was always free with me,
ma’am, and when he said at our house to my Woolwich, that of all
the things my Woolwich could have to think of when he grew to be
a man, the comfortablest would be that he had never brought a
sorrowful line into his mother’s face, or turned a hair of her head
grey, then I felt sure, from his way, that something fresh had
brought his own mother into his mind. I had often known him say
to me, in past times, that he had behaved bad to her.”
“Never, my dear!” returns Mrs Rouncewell, bursting into tears
“My blessing on him, never! He was always fond of me, and loving
to me, was my George! But he had a bold spirit, and he ran a little
wild, and went for a soldier. And I know he waited at first, in
letting us know about himself, till he should rise to be an officer;
and when he didn’t rise, I know he considered himself beneath us,
and wouldn’t be a disgrace to us. For he had a lion heart, had my
George, always from a baby!”
The old lady’s hands stray about her as of yore, while she
recalls, all in a tremble, what a likely lad, what a fine lad, what a
gay good-humoured clever lad he was; how they all took to him,
down at Chesney Wold; how Sir Leicester took to him when he
was a young gentleman; how the dogs took to him; how even the
people, who had been angry with him, forgave him the moment he
was gone, poor boy. And now to see him after all, and in a prison too! And the broad stomacher heaves, and the quaint upright old-
fashioned figure bends under its load of affectionate distress.
Mrs Bagnet, with the instinctive skill of a good warm heart,
leaves the old housekeeper to her emotions for a little while—not
without passing the back of her hand across her own motherly
eyes—and presently chirps up in her cheery manner:—
“So I says to George when I goes to call him in to tea (he
pretended to be smoking his pipe outside), ‘What ails you this
afternoon, George, for gracious sake? I have seen all sorts, and I
have seen you pretty often in season and out of season, abroad and
at home, and I never see you so melancholy penitent.’ ‘Why, Mrs
Bagnet,’ says George, ‘it’s because I am melancholy and penitent
both, this afternoon, that you see me so.’ ‘What have you done, old
fellow?’ I says. ‘Why, Mrs Bagnet,’ says George, shaking his head,
‘what I have done has been done this many a long year, and is best
not tried to be undone now. If I ever get to Heaven, it won’t be for
being a good son to a widowed mother; I say no more. Now,
ma’am, when George says to me that it’s best not tried to be
undone now, I have my thoughts as I have often had before, and I
draw it out of George how he comes to have such things on him
that afternoon. Then George tells me that he has seen by chance,
at the lawyer’s office, a fine old lady that has brought his mother
plain before him; and he runs on about that old lady till he quite
forgets himself, and paints her picture to me as she used to be,
years upon years back. So I says to George when he has done, who
is this old lady he has seen? And George tells me it’s Mrs
Rouncewell, housekeeper for more than half a century to the
Dedlock family down at Chesney Wold in Lincolnshire. George has
frequently told me before that he’s a Lincolnshire man, and I says to my old Lignum that night, ‘Lignum, that’s his mother for five-
and-for-ty pound!’“ All this Mrs Bagnet now relates for the
twentieth time at least within the last four hours. Trilling it out,
like a kind of bird; with a pretty high note, that it may be audible
to the old lady above the hum of the wheels.
“Bless you, and thank you,” says Mrs Rouncewell. “Bless you,
and thank you, my worthy soul!”
“Dear heart!” cries Mrs Bagnet, in the most natural manner.
“No thanks to me, I am sure. Thanks to yourself, ma’am, for being
so ready to pay ’em! And mind once more, ma’am, what you had
best do on finding George to be your own son, is, to make him—for
your sake—have every sort of help to put himself in the right, and
clear himself of a charge of which he is as innocent as you or me. It
won’t do to have truth and justice on his side; he must have law
and lawyers,” exclaims the old girl, apparently persuaded that the
latter form a separate establishment, and have dissolved
partnership with truth and justice for ever and a day.
“He shall have,” says Mrs Rouncewell, “all the help that can be
got for him in the world, my dear. I will spend all I have, and
thankfully, to procure it. Sir Leicester will do his best, the whole
family will do their best. I—I know something, my dear; and will
make my own appeal, as his mother parted from him all these
years, and finding him in a jail at last.”
The extreme disquietude of the old housekeeper’s manner in
saying this, her broken words, and her wringing of her hands,
make a powerful impression on Mrs Bagnet, and would astonish
her but that she refers them all to her sorrow for her son’s
condition. And yet Mrs Bagnet wonders, too, why Mrs Rouncewell
should murmur so distractedly, “My Lady, my Lady, my Lady!”over and over again.
The frosty night wears away, and the dawn breaks, and the
post-chaise comes rolling on through the early mist, like the ghost
of a chaise departed. It has plenty of spectral company, in ghosts
of trees and hedges, slowly vanishing and giving place to the
realities of day. London reached, the travellers alight; the old
housekeeper in great tribulation and confusion; Mrs Bagnet, quite
fresh and collected—as she would be, if her next point, with no
new equipage and outfit, were the Cape of Good Hope, the Island
of Ascension, Hong Kong, or any other military station.
But when they set out for the prison where the trooper is
confined, the old lady has managed to draw about her, with her
lavender-coloured dress, much of the staid calmness which is its
usual accompaniment. A wonderfully grave, precise, and
handsome piece of old china she looks; though her heart beats
fast, and her stomacher is ruffled more than even the
remembrance of this wayward son has ruffled it these many years.
Approaching the cell, they find the door opening and a warder
in the act of coming out. The old girl promptly makes a sign of
entreaty to him to say nothing; assenting, with a nod, he suffers
them to enter as he shuts the door.
So, George, who is writing at his table, supposing himself to be
alone, does not raise his eyes, but remains absorbed. The old
housekeeper looks at him, and those wandering hands of hers are
quite enough for Mrs Bagnet’s confirmation; even if she could see
the mother and the son together, knowing what she knows, and
doubt their relationship.
Not a rustle of the housekeeper’s dress, not a gesture, not a
word betrays her. She stands looking at him as he writes on, all unconscious, and only her fluttering hands give utterance to her
emotions. But they are very eloquent; very, very eloquent. Mrs
Bagnet understands them. They speak of gratitude, of joy, of grief,
of hope; of inextinguishable affection, cherished with no return
since this stalwart man was a stripling; of a better son loved less,
and this son loved so fondly and so proudly; and they speak in
such touching language, that Mrs Bagnet’s eyes brim up with
tears, and they run glistening down her sun-brown face.
“George Rouncewell! O my dear child, turn and look at me!”
The trooper starts up, clasps his mother round the neck, and
falls down on his knees before her. Whether in a late repentance,
whether in the first association that comes back upon him, he puts
his hands together as a child does when it says its prayers, and
raising them towards her breast, bows down his head, and cries.
“My George, my dearest son! Always my favourite, and my
favourite still, where have you been these cruel years and years?
Grown such a man, too, grown such a fine strong man. Grown so
like what I knew he must be, if it pleased God he was alive!”
She can ask, and he can answer, nothing connected for a time.
All that time the old girl, turned away, leans one arm against the
whitened wall, leans her honest forehead upon it, wipes her eyes
with her serviceable grey cloak, and quite enjoys herself like the
best of old girls as she is.
“Mother,” says the trooper, when they are more composed;
“forgive me first of all, for I know my need of it.”
Forgive him! She does it with all her heart and soul. She always
has done it. She tells him how she has had it written in her will,
these many years, that he was her beloved son George. She has
never believed any ill of him, never. If she had died without this happiness—and she is an old woman now, and can’t look to live
very long—she would have blessed him with her last breath, if she
had had her senses, as her beloved son George.
“Mother, I have been an undutiful trouble to you, and I have my
reward; but of late years I have had a kind of glimmering of a
purpose in me, too. When I left home I didn’t care much, mother—
I am afraid not a great deal—for leaving; and went away and
’listed, harum-scarum, making believe to think that I cared for
nobody, no not I, and that nobody cared for me.”
The trooper has dried his eyes, and put away his handkerchief:
but there is an extraordinary contrast between his habitual
manner of expressing himself and carrying himself, and the
softened tone in which he speaks, interrupted occasionally by a
half-stifled sob.
“So I wrote a line home, mother, as you too well know, to say I
had ‘listed under another name, and I went abroad. Abroad, at one
time I thought I would write home next year, when I might be
better off; and when that year was out I thought I would write
home next year, when I might be better off; and when that year
was out again, perhaps I didn’t think much about it. So on, from
year to year, through a service of ten years, till I began to get older,
and to ask myself why should I ever write?”
“I don’t find any fault, child—but not to ease my mind, George?
Not a word to your loving mother, who was growing older, too?”
This almost overturns the trooper afresh; but he sets himself up
with a great, rough, sounding clearance of his throat.
“Heaven forgive me, mother, but I thought there would be
small consolation then in hearing anything about me. There were
you, respected and esteemed. There was my brother, as I read in chance north-country papers now and then, rising to be
prosperous and famous. There was I a dragoon, roving, unsettled,
not self-made like him, but self-unmade—all my earlier
advantages thrown away, all my little learning unlearnt, nothing
picked up but what unfitted me for most things that I could think
of. What business had I to make myself known? After letting all
that time go by me, what good could come of it? The worst was
past with you, mother. I knew by that time (being a man) how you
had mourned for me, and wept for me, and prayed for me; and the
pain was over, or was softened down, and I was better in your
mind as it was.”
The old lady sorrowfully shakes her head; and taking one of his
powerful hands, lays it lovingly upon her shoulder.
“No, I don’t say that it was so, mother, but that I made it out to
be so. I said just now what good could come of it? Well, my dear
mother, some good might have come of it to myself—and there
was the meanness of it. You would have sought me out; you would
have purchased my discharge; you would have taken me down to
Chesney Wold; you would have brought me and my brother and
my brother’s family together; you would all have considered
anxiously how to do something for me, and set me up as a
respectable civilian. But how could any of you feel sure of me,
when I couldn’t so much as feel sure of myself? How could you
help regarding as an incumbrance and a discredit to you, an idle
dragooning chap, who was an incumbrance and a discredit to
himself, excepting under discipline? How could I look my
brother’s children in the face, and pretend to set them an
example—I, the vagabond boy, who had run away from home, and
been the grief and unhappiness of my mother’s life? ‘No, George.’Such were my words, mother, when I passed this in review before
me: ‘You have made your bed. Now, lie upon it.’”
Mrs Rouncewell, drawing up her stately form, shakes her head
at the old girl with a swelling pride upon her, as much as to say, “I
told you so!” The old girl relieves her feelings, and testifies her
interest in the conversation, by giving the trooper a great poke
between the shoulders with her umbrella; this action she
afterwards repeats, at intervals, in a species of affectionate lunacy:
never failing, after the administration of each of these
remonstrances, to resort to the whitened wall and the grey cloak
again.
“This was the way I brought myself to think, mother, that my
best amends was to lie upon that bed I had made, and die upon it.
And I should have done it (though I have been to see you more
than once down at Chesney Wold, when you little thought of me),
but for my old comrade’s wife here, who I find has been too many
for me. But I thank her for it. I thank you for it, Mrs Bagnet, with
all my heart and might.”
To which Mrs Bagnet responds with two pokes.
And now the old lady impresses upon her son George, her own
dear recovered boy, her joy and pride, the light of her eyes, the
happy close of her life, and every fond name she can think of, that
he must be governed by the best advice obtainable by money and
influence; that he must yield up his case to the greatest lawyers
that can be got; that he must act, in this serious plight, as he shall
be advised to act; and must not be self-willed, however right, but
must promise to think only of his poor old mother’s anxiety and
suffering until he is released, or he will break her heart.
“Mother, ’tis little enough to consent to,” returns the trooper, stopping her with a kiss; “tell me what I shall do, and I’ll make a
late beginning, and do it. Mrs Bagnet, you’ll take care of my
mother, I know?”
A very hard poke from the old girl’s umbrella.
“If you’ll bring her acquainted with Mr Jarndyce and Miss
Summerson, she will find them of her way of thinking, and they
will give her the best advice and assistance.”
“And, George,” says the old lady, “we must send with all haste
for your brother. He is a sensible sound man as they tell me—out
in the world beyond Chesney Wold, my dear, though I don’t know
much of it myself—and will be of great service.”
“Mother,” returns the trooper, “is it too soon to ask a favour?”
“Surely not, my dear.”
“Then grant me this one great favour. Don’t let my brother
know.”
“Not know what, my dear?”
“Not know of me. In fact, mother, I can’t bear it; I can’t make
up my mind to it. He has proved himself so different from me, and
has done so much to raise himself while I have been soldiering,
that I haven’t brass enough in my composition, to see him in this
place and under this charge. How could a man like him be
expected to have any pleasure in such a discovery? It’s impossible.
No, keep my secret from him, mother; do me a greater kindness
than I deserve, and keep my secret from my brother, of all men.”
“But not always, dear George?”
“Why, mother, perhaps not for good and all—though I may
come to ask that too—but keep it now, I do entreat you. If it’s ever
broke to him that his Rip of a brother has turned up, I could wish,”
says the trooper, shaking his head very doubtfully, “to break it myself; and be governed, as to advancing or retreating, by the way
in which he seems to take it.”
As he evidently has a rooted feeling on this point, and as the
depth of it is recognised in Mrs Bagnet’s face, his mother yields
her implicit assent to what he asks. For this he thanks her kindly.
“In all other respects, my dear mother, I’ll be as tractable and
obedient as you can wish; on this one alone, I stand out. So now I
am ready even for the lawyers. I have been drawing up,” he
glances at his writing on the table, “an exact account of what I
knew of the deceased, and how I came to be involved in this
unfortunate affair. It’s entered, plain and regular, like an orderly-
book; not a word in it but what’s wanted for the facts. I did intend
to read it, straight on end, whensoever I was called upon to say
anything in my defence. I hope I may be let to do it still; but I have
no longer a will of my own in this case, and whatever is said or
done, I give my promise not to have any.”
Matters being brought to this so far satisfactory pass, and time
being on the wane, Mrs Bagnet proposes a departure. Again and
again the old lady hangs upon her son’s neck, and again and again
the trooper holds her to his broad chest.
“Where are you going to take my mother, Mrs Bagnet?”
“I am going to the town house, my dear, the family house. I
have some business there, that must be looked to directly,” Mrs
Rouncewell answers.
“Will you see my mother safe there, in a coach, Mrs Bagnet?
But of course I know you will. Why should I ask it!”
Why indeed, Mrs Bagnet expresses with the umbrella.
“Take her, my old friend, and take my gratitude along with you.
Kisses to Quebec and Malta, love to my godson, a hearty shake of the hand to Lignum, and this for yourself, and I wish it was ten
thousand pound in gold, my dear!” So saying, the trooper puts his
lips to the old girl’s tanned forehead, and the door shuts upon him
in his cell.
No entreaties on the part of the good old housekeeper will
induce Mrs Bagnet to retain the coach for her own conveyance
home. Jumping out cheerfully at the door of the Dedlock mansion,
and handing Mrs Rouncewell up the steps, the old girl shakes
hands and trudges off; arriving soon afterwards in the bosom of
the Bagnet family, and falling to washing the greens as if nothing
had happened.
My Lady is in that room in which she held her last conference
with the murdered man, and is sitting where she sat that night,
and is looking at the spot where he stood upon the hearth,
studying her so leisurely, when a tap comes at the door. Who is it?
Mrs Rouncewell. What has brought Mrs Rouncewell to town so
unexpectedly?
“Trouble, my Lady. Sad trouble. O, my Lady, may I beg a word
with you?”
What new occurrence is it that makes this tranquil old woman
tremble so? Far happier than her Lady, as her Lady has often
thought, why does she falter in this manner, and look at her with
such strange mistrust!
“What is the matter? Sit down and take your breath.”
“O, my Lady, my Lady. I have found my son—my youngest,
who went away for a soldier so long ago. And he is in prison.”
“For debt?”
“O no, my Lady; I would have paid any debt, and joyful.”
“For what is he in prison then?”“Charged with a murder, my Lady, of which he is as innocent
as—as I am. Accused of the murder of Mr Tulkinghorn.”
What does she mean by this look and this imploring gesture?
Why does she come so close? What is the letter that she holds?
“Lady Dedlock, my dear Lady, my good Lady, my kind Lady!
You must have a heart to feel for me, you must have a heart to
forgive me. I was in this family before you were born. I am devoted
to it. But think of my dear son wrongfully accused.”
“I do not accuse him.”
“No, my Lady, no. But others do, and he is in prison and in
danger. O Lady Dedlock, if you can say but a word to help to clear
him, say it!”
What delusion can this be? What power does she suppose is in
the person she petitions, to avert this unjust suspicion, if it be
unjust? Her Lady’s handsome eyes regard her with astonishment,
almost with fear.
“My Lady, I came away last night from Chesney Wold to find
my son in my old age, and the step upon the Ghost’s Walk was so
constant and so solemn that I never heard the like in all these
years. Night after night, as it has fallen dark, the sound has echoed
through your rooms, but last night it was awfullest. And as it fell
dark last night, my Lady, I got this letter.”
“What letter is it?”
“Hush! Hush!” The housekeeper looks round, and answers in a
frightened whisper: “My Lady, I have not breathed a word of it, I
don’t believe what’s written in it, I know it can’t be true, I am sure
and certain that it is not true. But my son is in danger, and you
must have a heart to pity me. If you know of anything that is not
known to others, if you have any suspicion, if you have any clue at all, and any reason for keeping it in your own breast, O my dear
Lady, think of me, and conquer that reason, and let it be known!
This is the most I consider possible. I know you are not a hard
lady, but you go your own way always, without help, and you are
not familiar with your friends; and all who admire you—and all
do—as a beautiful and elegant lady, know you to be one far away
from themselves, who can’t be approached close. My Lady, you
may have some proud or angry reasons for disdaining to utter
something that you know; if so, pray, O pray, think of a faithful
servant whose whole life has been passed in this family which she
dearly loves, and relent, and help to clear my son! My Lady, my
good Lady,” the old housekeeper pleads with genuine simplicity,
“I am so humble in my place, and you are by nature so high and
distant, that you may not think what I feel for my child; but I feel
so much, that I have come here to make so bold as to beg and pray
you not to be scornful of us, if you can do us any right or justice at
this fearful time!”
Lady Dedlock raises her without one word, until she takes the
letter from her hand.
“Am I to read this?”
“When I am gone, my Lady, if you please; and then
remembering the most that I consider possible.”
“I know of nothing I can do. I know of nothing I reserve, that
can affect your son. I have never accused him.”
“My Lady, you may pity him the more, under a false accusation,
after reading the letter.”
The old housekeeper leaves her with the letter in her hand. In
truth she is not a hard lady naturally; and the time has been when
the sight of the venerable figure suing to her with such strong earnestness would have moved her to great compassion. But, so
long accustomed to suppress emotion, and keep down reality; so
long schooled for her own purposes, in that destructive school
which shuts up the natural feelings of the heart, like flies in amber,
and spreads one uniform and dreary gloss over the good and bad,
the feeling and the unfeeling, the sensible and the senseless; she
had subdued even her wonder until now.
She opens the letter. Spread out upon the paper is a printed
account of the discovery of the body, as it lay face downward on
the floor, shot through the heart; and underneath is written her
own name, with the word Murderess attached.
It falls out of her hand. How long it may have lain upon the
ground, she knows not; but it lies where it fell, when a servant
stands before her announcing a young man of the name of Guppy.
The words have probably been repeated several times, for they are
ringing in her head before she begins to understand them.
“Let him come in!”
He comes in. Holding the letter in her hand, which she has
taken from the floor, she tries to collect her thoughts. In the eyes
of Mr Guppy she is the same Lady Dedlock, holding the same
prepared, proud, chilling state.
“Your Ladyship may not be at first disposed to excuse this visit
from one who has never been very welcome to your Ladyship—
which he don’t complain of, for he is bound to confess that there
never has been any particular reason on the face of things, why he
should be; but I hope when I mention my motives to your
Ladyship, you will not find fault with me,” says Mr Guppy.
“Do so.”
“Thank your Ladyship. I ought first to explain to your Ladyship,” Mr Guppy sits on the edge of a chair, and puts his hat
on the carpet at his feet, “that Miss Summerson, whose image as I
formerly mentioned to your Ladyship was at one period of my life
imprinted on my art until erased by circumstances over which I
had no control, communicated to me, after I had the pleasure of
waiting on your Ladyship last, that she particularly wished me to
take no steps whatever in any matter at all relating to her. And
Miss Summerson’s wishes being to me a law (except as connected
with circumstances over which I have no control), I consequently
never expected to have the distinguished honour of waiting on
your Ladyship again.”
And yet he is here now, Lady Dedlock moodily reminds him.
“And yet I am here now,” Mr Guppy admits. “My object being
to communicate to your Ladyship, under the seal of confidence,
why I am here.”
He cannot do so, she tells him, too plainly or too briefly.
“Nor can I,” Mr Guppy returns, with a sense of injury upon
him, “too particularly request your Ladyship to take particular
notice that it’s no personal affair of mine that brings me here. I
have no interested views of my own to serve in coming here. If it
was not for my promise to Miss Summerson, and my keeping of it
sacred,—I, in point of fact, shouldn’t have darkened these doors
again, but should have seen ’em further first.”
Mr Guppy considers this a favourable moment for sticking up
his hair with both hands.
“Your Ladyship will remember when I mention it, that the last
time I was here, I run against a party very eminent in our
profession, and whose loss we all deplore. That party certainly did
from that time apply himself to cutting in against me in a way that I will call sharp practice, and did make it, at every turn and point,
extremely difficult for me to be sure that I hadn’t inadvertently led
up to something contrary to Miss Summerson’s wishes. Self-praise
is no recommendation; but I may say for myself that I am not so
bad a man of business neither.”
Lady Dedlock looks at him in stern inquiry. Mr Guppy
immediately withdraws his eyes from her face, and looks
anywhere else.
“Indeed, it has been made so hard,” he goes on, “to have any
idea what that party was up to in combination with others, that
until the loss which we all deplore, I was gravelled—an expression
which your Ladyship, moving in the higher circles, will be so good
as to consider tantamount to knocked over. Small likewise—a
name by which I refer to another party, a friend of mine that your
Ladyship is not acquainted with—got to be so close and double-
faced that at times it wasn’t easy to keep one’s hands off his ed.
However, what with the exertion of my humble abilities, and what
with the help of a mutual friend by the name of Mr Tony Weevle
(who is of a high aristocratic turn, and has your Ladyship’s
portrait always hanging up in his room), I have now reasons for an
apprehension, as to which I come to put your Ladyship upon your
guard. First, will your Ladyship allow me to ask you whether you
have had any strange visitors this morning? I don’t mean
fashionable visitors, but such visitors, for instance, as Miss
Barbary’s old servant, or as a person without the use of his lower
extremities, carried upstairs similarly to a Guy?”
“No!”
“Then I assure your Ladyship that such visitors have been here
and have been received here. Because I saw them at the door, and waited at the corner of the square till they came out, and took half-
an-hour’s turn afterwards to avoid them.”
“What have I to do with that, or what have you? I do not
understand you. What do you mean?”
“Your Ladyship, I come to put you on your guard. There may
be no occasion for it. Very well. Then I have only done my best to
keep my promise to Miss Summerson. I strongly suspect (from
what Small has dropped, and from what we have corkscrewed out
of him) that those letters I was to have brought to your Ladyship
were not destroyed when I supposed they were. That if there was
anything to be blown upon, it is blown upon. That the visitors I
have alluded to have been here this morning to make money of it.
And that the money is made, or making.”
Mr Guppy picks up his hat and rises.
“Your Ladyship, you know best, whether there’s anything in
what I say, or whether there’s nothing. Something or nothing, I
have acted up to Miss Summerson’s wishes in letting things alone,
and in undoing what I had begun to do, as far as possible; that’s
sufficient for me. In case I should be taking a liberty in putting
your Ladyship on your guard when there’s no necessity for it, you
will endeavour, I should hope, to outlive my presumption, and I
shall endeavour to outlive your disapprobation. I now take my
farewell of your Ladyship, and assure you that there’s no danger
of your ever being waited on by me again.”
She scarcely acknowledges these parting words by any look;
but when he has been gone a little while she rings her bell.
“Where is Sir Leicester?”
Mercury reports that he is at present shut up in the library,
alone.“Has Sir Leicester had any visitors this morning?”
Several on business. Mercury proceeds to a description of them,
which has been anticipated by Mr Guppy. Enough: he may go.
So! All is broken down. Her name is in these many mouths, her
husband knows his wrongs, her shame will be published—may be
spreading while she thinks about it—and in addition to the
thunderbolt so long foreseen by her, so unforeseen by him, she is
denounced by an invisible accuser as the murderess of her enemy.
Her enemy he was, and she has often, often, often, wished him
dead. Her enemy he is, even in his grave. This dreadful accusation
comes upon her, like a new torment at his lifeless hand. And when
she recalls how she was secretly at his door that night, and how
she may be represented to have sent her favourite girl away, so
soon before, merely to release herself from observation, she
shudders as if the hangman’s hands were at her neck.
She has thrown herself upon the floor, and lies with her hair all
wildly scattered, and her face buried in the cushions of a couch.
She rises up, hurries to and fro, flings herself down again, and
rocks and moans. The horror that is upon her, is unutterable. If
she really were the murderess, it could hardly be, for the moment,
more intense.
For, as her murderous perspective, before the doing of the
deed, however subtle the precautions for its commission, would
have been closed up by a gigantic dilatation of the hateful figure,
preventing her from seeing any consequences beyond it; and as
those consequences would have rushed in, in an unimagined
flood, the moment the figure was laid low—which always happens
when a murder is done; so, now she sees that when he used to be
on the watch before her, and she used to think, “if some mortal stroke would but fall on this old man and take him from my way!”
it was but wishing that all he held against her in his hand might be
flung to the winds, and chance-sown in many places. So, too, with
the wicked relief she has felt in his death. What was his death but
the keystone of a gloomy arch removed, and now the arch begins
to fall in a thousand fragments, each crushing and mangling
piecemeal!
Thus, a terrible impression steals upon and overshadows her,
that from this pursuer, living or dead—obdurate and
imperturbable before her in his well-remembered shape, or not
more obdurate and imperturbable in his coffin-bed,—there is no
escape but in death. Hunted, she flies. The complication of her
shame, her dread, remorse, and misery, overwhelms her at its
height; and even her strength of self-reliance is overturned and
whirled away, like a leaf before a mighty wind.
She hurriedly addresses these lines to her husband, seals, and
leaves them on her table.
“If I am sought for, or accused of, his murder, believe that I am
wholly innocent. Believe no other good of me; for I am innocent of
nothing else that you have heard, or will hear, laid to my charge.
He prepared me on that fatal night, for his disclosure of my guilt to
you. After he had left me, I went out, on pretence of walking in the
garden where I sometimes walk, but really to follow him, and
make one last petition that he would not protract the dreadful
suspense on which I have been racked by him, you do not know
how long, but would mercifully strike next morning.
“I found his house dark and silent. I rang twice at his door, but
there was no reply, and I came home.“I have no home left. I will encumber you no more. May you, in
your just resentment, be able to forget the unworthy woman on
whom you have wasted a most generous devotion—who avoids
you, only with a deeper shame than that with which she hurries
from herself—and who writes this last adieu!”
She veils and dresses quickly, leaves all her jewels and her
money, listens, goes downstairs at a moment when the hall is
empty, opens and shuts the great door; flutters away, in the shrill,
frosty wind.