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影视剧本《唐人街》

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Chinatown (1974) size=3>

by Robert Towne.

Third draft. October 9, 1973.

1 FULL SCREEN PHOTOGRAPH

grainy but unmistakably a man and woman making love.

Photograph shakes. SOUND of a man MOANING in anguish.

The photograph is dropped, REVEALING ANOTHER, MORE

compromising one. Then another, and another. More moans.

CURLY'S VOICE

(crying out)

Oh, no.

2 INT. GITTES' OFFICE

CURLY drops the photos on Gittes' desk. Curly towers

over GITTES and sweats heavily through his workman's

clothes, his breathing progressively more labored. A

drop plunks on Gittes' shiny desk top.

Gittes notes it. A fan whiffs overhead. Gittes glances

up at it. He looks cool and brisk in a white linen suit

despite the heat. Never taking his eyes off Curly, he

lights a cigarette using a lighter with a "nail" on

his desk.

Curly, with another anguished sob, turns and rams his

fist into the wall, kicking the wastebasket as he does.

He starts to sob again, slides along the wall where his

fist has left a noticeable dent and its impact has sent

the signed photos of several movie stars askew.

Curly slides on into the blinds and sinks to his knees.

He is weeping heavily now, and is in such pain that he

actually bites into the blinds.

Gittes doesn't move from his chair.

GITTES

All right, enough is enough --

you can't eat the Venetian

blinds, Curly. I just had

'em installed on Wednesday.

Curly responds slowly, rising to his feet, crying. Gittes

reaches into his desk and pulls out a shot glass, quickly

selects a cheaper bottle of bourbon from several fifths

of more expensive whiskeys.

3 Gittes pours a large shot. He shoves the glass across

his desk toward Curly.

GITTES

-- Down the hatch.

Curly stares dumbly at it. Then picks it up, and drains

it. He sinks back into the chair opposite Gittes, begins

to cry quietly.

CURLY

(drinking, relaxing

a little)

She's just no good.

GITTES

What can I tell you, Kid?

You're right. When you're

right, you're right, and

you're right.

CURLY

-- Ain't worth thinking about.

Gittes leaves the bottle with Curly.

GITTES

You're absolutely right, I

wouldn't give her another

thought.

CURLY

(pouring himself)

You know, you're okay, Mr. Gittes.

I know it's your job, but you're

okay.

GITTES

(settling back,

breathing a little

easier)

Thanks, Curly. Call me Jake.

CURLY

Thanks. You know something,

Jake?

GITTES

What's that, Curly?

CURLY

I think I'll kill her.

4 INT. DUFFY & WALSH'S OFFICE

noticeably less plush than Gitte's. A well-groomed,

dark-haired WOMAN sits nervously between their two desks,

fiddling with the veil on her pillbox hat.

WOMAN

-- I was hoping Mr. Gittes could

see to this personally --

WALSH

(almost the manner

of someone

comforting the

bereaved)

-- If you'll allow us to complete

our preliminary questioning, by

then he'll be free.

There is the SOUND of ANOTHER MOAN coming from Gittes'

Office -- something made of glass shatters. The Woman

grows more edgy.

5 INT. GITTES' OFFICE - GITTES & CURLY

Gittes and Curly stand in front of the desk, Gittes

staring contemptuously at the heavy breathing hulk

towering over him. Gittes takes a handkerchief and

wipes away the plunk of perspiration on his desk.

CURLY

(crying)

They don't kill a guy for that.

GITTES

Oh they don't?

CURLY

Not for your wife. That's the

unwritten law.

6 Gittes pounds the photos on the desk, shouting;

GITTES

I'll tell you the unwritten law,

you dumb son of a bitch, you

gotta be rich to kill somebody,

anybody and get away with it.

You think you got that kind

of dough, you think you got

that kind of class?

Curly shrinks back a little.

CURLY

... No...

GITTES

You bet your ass you don't. You

can't even pay me off.

This seems to upset Curly even more.

CURLY

I'll pay the rest next trip --

we only caught sixty ton of

skipjack around San Benedict.

We hit a chubasco, they don't

pay you for skipjack the way

they do for tuna or albacore --

GITTES

(easing him out of

his office)

Forget it. I only mention it to

illustrate a point...

7 INT. OFFICE RECEPTION

He's now walking him past SOPHIE who pointedly averts her

gaze. He opens the door where on the pebbled glass can

be read: J. J. GITTES and Associates - DISCREET

INVESTIGATION.

GITTES

I don't want your last dime.

He throws an arm around Curly and flashes a dazzling

smile.

GITTES

(continuing)

What kind of guy do you

think I am?

CURLY

Thanks, Mr. Gittes.

GITTES

Call me Jake. Careful driving

home, Curly.

He shuts the door on him and the smile disappears.

8 He shakes his head, starting to swear under his breath.

SOPHIE

-- A Mrs. Mulwray is waiting for

you, with Mr. Walsh and Mr. Duffy.

Gittes nods, walks on in.

9 INT. DUFFY AND WALSH'S OFFICE

Walsh rises when Gittes enters.

WALSH

Mrs. Mulwray, may I present Mr.

Gittes?

Gittes walks over to her and again flashes a warm,

sympathetic smile.

GITTES

How do you do, Mrs. Mulwray?

MRS. MULWRAY

Mr. Gittes...

GITTES

Now, Mrs. Mulwray, what seems to

be the problem?

She holds her breath. The revelation isn't easy for her.

MRS. MULWRAY

My husband, I believe, is seeing

another woman.

Gittes looks mildly shocked. He turns for confirmation

to his two partners.

GITTES

(gravely)

No, really?

MRS. MULWRAY

I'm afraid so.

GITTES

I am sorry.

10 Gittes pulls up a chair sitting next to Mrs. Mulwray --

between Duffy and Walsh. Duffy cracks his gum.

Gittes gives him an irritated glance.

Duffy stops chewing.

MRS. MULWRAY

Can't we talk about this alone,

Mr. Gittes?

GITTES

I'm afraid not, Mrs. Mulwray.

These men are my operatives and

at some point they're going to

assist me. I can't do everything

myself.

MRS. MULWRAY

Of course not.

GITTES

Now -- what makes you certain he

is involved with someone?

Mrs. Mulwray hesitates. She seems uncommonly nervous

at the question.

MRS. MULWRAY

-- a wife can tell.

Gittes sighs.

GITTES

Mrs. Mulwray, do you love your

husband?

MRS. MULWRAY

(shocked)

... Yes of course.

GITTES

(deliberately)

Then go home and forget about it.

MRS. MULWRAY

-- but...

GITTES

(staring intently at

her)

I'm sure he loves you, too. You

know the expression, let sleeping

dogs lie? You're better off not

knowing.

MRS. MULWRAY

(with some real

anxiety)

But I have to know.

Her intensity is genuine. Gittes looks to his two

partners.

GITTES

All right, what's your husband's

first name?

MRS. MULWRAY

Hollis. Hollis Mulwray.

GITTES

(visibly surprised)

-- Water and Power?

Mrs. Mulwray nods, almost shyly. Gittes is now casually

but carefully checking out the detailing of Mrs.

Mulwray's dress -- her handbag, shoes, etc.

MRS. MULWRAY

-- he's the Chief Engineer.

DUFFY

(a little eagerly)

-- Chief Engineer?

11 Gittes' glance tells Duffy Gittes wants to do the

questioning. Mrs. Mulwray nods.

GITTES

(confidentially)

This type of investigation can

be hard on your pocketbook, Mrs.

Mulwray. It takes time.

MRS. MULWRAY

Money doesn't matter to me, Mr.

Gittes.

Gittes sighs.

GITTES

Very well. We'll see what we

can do.

12 EXT. CITY HALL - MORNING

already shimmering with heat.

A drunk blows his nose with his fingers into the fountain

at the foot of the steps.

Gittes, impeccably dressed, passes the drunk on the way

up the stairs.

13 INT. COUNCIL CHAMBERS

Former Mayor SAM BAGBY is speaking. Behind him is a huge

map, with overleafs and bold lettering:

"PROPOSED ALTO VALLEJO DAM AND RESERVOIR"

Some of the councilmen are reading funny papers and

gossip columns while Bagby is speaking.

BAGBY

-- Gentlemen, today you can walk

out that door, turn right, hop on

a streetcar and in twenty-five

minutes end up smack in the Pacific

Ocean. Now you can swim in it, you

can fish in it, you can sail in

it - but you can't drink it, you

can't water your lawns with it,

you can't irrigate an orange grove

with it. Remember -- we live next

door to the ocean but we also live

on the edge of the desert. Los

Angeles is a desert community.

Beneath this building, beneath

every street there's a desert.

Without water the dust will rise

up and cover us as though we'd

never existed!

(pausing, letting

the implication

sink in)

14 CLOSE - GITTES

sitting next to some grubby farmers, bored. He yawns --

edges away from one of the dirtier farmers.

BAGBY(O.S.)

(continuing)

The Alto Vallejo can save us from

that, and I respectfully suggest

that eight and a half million

dollars is a fair price to pay to

keep the desert from our streets

-- and not on top of them.

15 AUDIENCE - COUNCIL CHAMBERS

An amalgam of farmers, businessmen, and city employees

have been listening with keen interest. A couple of the

farmers applaud. Somebody shooshes them.

16 COUNCIL COMMITTEE

in a whispered conference.

COUNCILMAN

(acknowledging Bagby)

-- Mayor Bagby... let's hear from

the departments again -- I suppose

we better take Water and Power

first. Mr. Mulwray.

17 REACTION - GITTES

looking up with interest from his racing form.

18 MULWRAY

walks to the huge map with overleafs. He is a slender

man in his sixties, who wears glasses and moves with

surprising fluidity. He turns to a smaller, younger

man, and nods. The man turns the overleaf on the map.

MULWRAY

In case you've forgotten, gentlemen,

over five hundred lives were lost

when the Van der Lip Dam gave way

-- core samples have shown that

beneath this bedrock is shale

similar to the permeable shale

in the Van der Lip disaster.

It couldn't withstand that kind

of pressure there.

(referring to a new

overleaf)

Now you propose yet another dirt

banked terminus dam with slopes

of two and one half to one, one

hundred twelve feet high and a

twelve thousand acre water surface.

Well, it won't hold. I won't

build it. It's that simple -- I

am not making that kind of mistake

twice. Thank you, gentlemen.

Mulwray leaves the overleaf board and sits down. Suddenly

there are some whoops and hollers from the rear of the

chambers and a red-faced FARMER drives in several

scrawny, bleating sheep. Naturally, they cause

a commotion.

COUNCIL PRESIDENT

(shouting to farmer)

What in the hell do you think you're

doing?

(as the sheep bleat

down the aisles

toward the Council)

Get those goddam things out of here!

FARMER

(right back)

Tell me where to take them! You don't

have an answer for that so quick, do

you?

19 Bailiffs and sergeants-at-arms respond to the

imprecations of the Council and attempt to capture

the sheep and the farmers, having to restrain one who

looks like he's going to bodily attack Mulwray.

FARMER

(through above, to

Mulwray)

-- You steal the water from the

valley, ruin the grazing, starve

my livestock -- who's paying you

to do that, .Mr. Mulwray, that's

what I want to know!

20 OMITTED

21 OMITTED

22 L.A. RIVERBED - LONG SHOT

It's virtually empty. Sun blazes off it's ugly concrete

banks. Where the banks are earthen, they are parched

and choked with weeds.

After a moment, Mulwray's car pulls INTO VIEW on a flood

control road about fifteen feet above the riverbed.

Mulwray gets out of the car. Me looks around.

23 WITH GITTES

holding a pair of binoculars, downstream and just above

the flood control road -- using some dried mustard weeds

for cover. he watches while Mulwray makes his way

down to the center of the riverbed.

There Mulwray stops, tuns slowly, appears to be looking

at the bottom of the riverbed, or -- at nothing at all.

24 GITTES

trains the binoculars on him. Sun glints off Mulwray's

glasses.

25 BELOW GITTES

There's the SOUND of something like champagne corks

popping. Then a small Mexican boy atop a swayback horse

rides it into the riverbed, and into Gitte's view.

26 MULWRAY

himself stops, stands still when he hears the sound.

Power lines and the sun are overhead, the trickle of

brackish water at his feet.

He moves swiftly downstream in the direction of the

sound, toward Gittes.

27 GITTES

moves a little further back as Mulwray rounds the bend

in the river and comes face to face with the Mexican

boy on the muddy banks. Mulwray says something to the boy.

The boy doesn't answer at first. Mulwray points to the

ground. The boy gestures. Mulwray frowns. He kneels

down in the mud and stares at it. He seems to be

concentrating on it.

28 After a moment, he rises, thanks the boy and heads swiftly

back upstream -- scrambling up the bank to his car.

There he reaches through the window and pulls out a roll

of blueprints or something like them - he spreads them

on the hood of his car and begins to scribble some notes,

looking downstream from time to time.

The power lines overhead HUM.

He stops, listens to them -- then rolls up the plans and

gets back in the car. He drives off.

29 GITTES

Hurries to get back to his car. He gets in and gets right

back out. The steamy leather burns him. He takes a

towel from the back seat and carefully places it on the

front one. He gets in and takes off.

30 OMITTED

31 POINT FERMIN PARK - DUSK

Street lights go on.

32 MULWRAY

pulls up, parks. Hurries out of the car, across the park

lawn and into the shade of some trees and buildings.

33 GITTES

pulls up, moves across the park at a different angle, but

in the direction Mulwray had gone. He makes it through

the trees in time to see Mulwray scramble adroitly down

the side of the cliff to the beach below. Be seems in

a hurry. Gittes moves after him - having a little more

difficulty negotiating the climb than Mulwray did.

34 DOWN ON THE BEACH

Gittes looks to his right - where the bay is a long,

clear crescent. He looks to his left - there's a

promontory of sorts. It's apparent Mulwray has gone

that way. Gittes hesitates, then moves in that direction

-- but climbs along the promontory in order to be

above Mulwray.

35 AT THE OUTFALL

Gittes spots Mulwray just below him, kicking at the sand.

Mulwray picks up a starfish. Brushes the sand off it.

Looks absently up toward Gittes.

36 GITTES

backs away, sits near the outfall, yawns.

37 BEACON LIGHT AT POINT FERMIN

flashing in the dust.

38 CLOSE - GITTES

sitting, suddenly starts. He swears softly -- he's in

a puddle of water and the seat of his trousers is wet.

39 MULWRAY

below him in watching the water trickling down from

the outfall near Gittes.

Mulwray stands and stares at the water, apparently

fascinated. Even as Gittes watches Mulwray watching, the

volume and velocity seem to increase until it gushes in

spurts, cascading into the sea, whipping it into a foam.

40 AT THE STREET - GITTES' CAR

There's a slip of paper stuck under the windshield wiper.

Gittes pulls it off, gets in the car and turns on the

dash light. It says: "SAVE OUR CITY! LOS ANGELES IS

DYING OF THIRST! PROTECT YOUR PROPERTY! LOS ANGELES

IS YOUR INVESTMENT IN THE FUTURE!!! VOTE YES NOVEMBER

6......CITIZENS COMMITTEE TO SAVE OUR CITY, HON. SAM

BAGBY, FORMER MAYOR - CHAIRMAN." Gittes grumbles,

crumples it up and tosses it out the window. He notices

other flyers parked on a couple of cars down the street.

Gittes reaches down and opens his glove compartment.

41 INT. GLOVE COMPARTMENT

consists of a small mountain of Ingersoll pocket watches.

The cheap price tags are still on them. Gittes pulls

out one.

He absently winds it, checks the time with his own watch.

It's 9:37 as he walks to .Mulwray's car and places it

behind the front wheel of Mulwray's car. He yawns again

and heads back to his own car.

42 GITTES

arrives whistling, opens the door with "J.J. GITTES AND

ASSOCIATES - DISCREET INVESTIGATION" on it.

GITTES

Morning, Sophie.

Sophie hands him a small pile of messages. He goes

through them.

GITTES

Walsh here?

SOPHIE

He's in the dark room.

43 Gittes walks through his office to Duffy and Walsh's.

A little red light is on in the corner, over a closed

door. Gittes walks over and knocks on the door.

GITTES

Where'd he go yesterday?

WALSH'S VOICE

Three reservoirs -- Men's room of

a Richfield gas station on Flower,

and the Pig 'n Whistle.

GITTES

Jesus Christ, this guy's really

got water on the brain.

WALSH'S VOICE

What'd you expect? That's his job.

GITTES

Listen, we can't string this broad

out indefinitely -- we got to come

up with something.

WALSH'S VOICE

I think I got something.

GITTES

Oh yeah? You pick up the watch?

44 INT. DUFFY & WALSH'S OFFICE - GITTES

WALSH'S VOICE

It's on your desk. Say, you hear

the one about the guy who goes to

the North Pole with Admiral Byrd

looking for penguins?

Gittes walks to his office.

45 ON HIS DESK

is the Ingersoll watch, the crystal broken -- the hands

stopped at 2:47.

GITTES

He was there all night.

Gittes drops it, sits down. Walsh comes in carrying a

series of wet photos stuck with clothes pins onto a small

blackboard.

GITTES

(continuing; eagerly)

So what you got?

Walsh shows him the photos. He looks at them. They are

a series outside a restaurant showing Mulwray with

another man whose appearance is striking. In two

of the photos a gnarled cane is visible.

GITTES

(continuing; obviously

annoyed)

This?

WALSH

They got into a terrific argument

outside the Pig 'n Whistle.

GITTES

What about?

WALSH

I don't know -- the traffic was

pretty loud. I only heard one

thing -- apple core.

GITTES

Apple core?

WALSH

(shrugs)

Yeah.

46 INT. GITTES' OFFICE

Gittes tosses down the photos in disgust.

GITTES

Jesus Christ, Walsh -- that's what

you spent your day doing?

WALSH

Look, you tell me to take pictures,

I take pictures.

GITTES

Let me explain something to you,

Walsh -- this business requires

a certain finesse --

The PHONE has been RINGING. Sophie buzzes him.

GITTES

Yeah, Sophie?

(he picks up the phone)

Duffy, where are you?

Duffy's VOICE can be HEARD, excitedly -- "I got it. I

got it. He's found himself some cute little twist -

in a rowboat, in Echo Park."

GITTES

(continuing)

Okay, slow down -- Echo Park --

(to Walsh)

Jesus, water again.

47 WESTLAKE PARK (McARTHUR PARK)

Duffy is rowing, Gittes seated in the stern.

They pass Mulwray and a slender blonde girl in a summer

print dress, drifting in their rowboat, Mulwray fondly

doting on the girl.

GITTES

(to Duffy, as they

pass)

Let's have a big smile, pal.

He shoots past Duffy, expertly running off a couple of

fast shots. Mulwray and the girl seem blissfully

unaware of them.

48 DUFFY

turns again and they row past Mulwray and the girl,

Gittes again clicking off several fast shots.

49 CLOSE SHOT - SIGN:

"EL MACANDO APARTMENTS"

MOVE ALONG the red tiled roof and down to a lower level

of the roof where Gittes' feet are hooked over the apex

of the roof and Gittes himself is stretched face downward

on the tiles, pointing himself and his camera to a

veranda below him where the girl and Mulwray are eating.

Gittes is clicking off more shots when the tiles his

feet are hooked over come loose.

Gittes begins a slow slide down the tile to the edge of

the roof -- and possibly over it to a three-story drop.

He tries to slow himself down. The loose tile also

begins to slide.

Gittes stops himself at the roof's edge by the storm

drain and begins a very precarious turn - this time

hooking his feet in the drain itself. The loose tile

falls and hits the veranda below. He stops as it's about

to slide over the edge. He carefully lays it in the

drain. But a fragment off the cracked edge of the tile

falls.

50 WITH MULWRAY AND THE GIRL

Mulwray staring at the fragment at his feet. He looks

to the girl. He's clearly concerned. He rises, looks up

to the roof.

51 FROM HIS POV

The roof and the sign topping it betray nothing. He

slowly sits back down, staring at the tile fragment.

52 CLOSE SHOT - NEWSPAPER

DEPARTMENT OF WATER AND POWER BLOWS FUSE OVER CHIEF'S

USE OF FUNDS FOR EL MACANDO LOVE NEST.

In the style of the Hearst yellow press, there is a

heart-shaped drawing around one of the photos that

Gittes had taken. Next to it is a smaller column,

"J.J. Gittes hired by suspicious spouse."

53 INT. BARBERSHOP - GITTES

holds the paper and reads while getting his haircut and

his shoes shined. In fact, almost all the customers

are reading papers.

BARNEY

(to Gittes)

-- when you get so much publicity,

after a while you must get blas?

about it.

A self-satisfied smile comes to Gittes' face.

BARNEY

(continuing)

Face it. You're practically

a movie star.

In b.g., customers can be 0VERHEARD talking about the

drought. Interspersed with above, someone is saying,

"They're gonna start rationing water unless it rains."

Someone else says, "Only for washing your cars." Third

says, "You're not going to be able to water your lawn

either, or take a bath more than once a week." First

says, "If you don't have a lawn or a car, do you get an

extra bath?"

54 Gittes has been staring outside the barbershop. A car

is stalled. The hood is up. A man watches his

radiator boiling over.

GITTES

(laughing)

Look at that.

BARNEY

Heat's murder.

OTHER CUSTOMER

(end of conversation)

Fools names and fools faces...

55 Gittes has heard the word. He straightens up.

GITTES

(smiling; to Other

Customer)

What's that, pal?

OTHER CUSTOMER

(indicating paper)

Nothing -- you got a hell of a

way to make a living.

GITTES

-- Oh? What do. you do to make

ends meet?

OTHER CUSTOMER

Mortgage Department, First National Bank.

Gittes laughs.

GITTES

Tell me, how many people a week

do you foreclose on?

OTHER CUSTOMER

We don't publish a record in the

paper, I can tell you that.

GITTES

Neither do I.

OTHER CUSTOMER

No, you have a press agent do it.

Gittes gets out of the chair. Barney, a little concerned,

tries to restrain him, holding onto the barber sheet

around Gittes' neck.

GITTES

Barney, who is this bimbo? He a

regular customer?

BARNEY

Take it easy, Jake.

GITTES

Look, pal -- I make an honest

living. People don't come to

me unless they're miserable and

I help 'em out of a bad situation.

I don't kick them out of their

homes like you jerks who work in

the bank.

BARNEY

Jake, for Christ's sake.

56 Gittes is trying to take off his sheet.

GITTES

C'mon, get out of the barber chair.

We'll go outside and talk this

over --

The Customer is shrinking back into the chair.

BARNEY

Hey, c'mon, Jake. Sit down. Sit

down -- you hear about the fella

goes to his friend and says,

'What'll I do, I'm tired of

screwing my-wife?' and his

friend says, 'Whyn't you do

what the Chinese do?'

Gittes allows himself to be tugged back to his chair.

GITTES

I don't know how that got in the

paper as a matter of fact - it

surprised me it was so quick.

I make an honest living.

BARNEY

'Course you do, Jake.

GITTES

An honest living.

BARNEY

(continuing)

So anyway, he says, 'whyn't you

do what the Chinese do?'

57 INT. GITTES' OFFICE

Gittes comes bursting in, slapping a newspapers on his

thigh.

GITTES

Duffy, Walsh --

Walsh comes out of his office, Duffy out of the other

one.

GITTES

(continuing)

Sophie -- go to the little girl's

room for a minute.

SOPHIE

But, Mr. Gittes --

GITTES

(insisting)

Sophie.

SOPHIE

Yes, Mr. Gittes.

She gets up and leaves.

GITTES

-- so there's this fella who's

tired of screwing his wife --

DUFFY

Jake, listen -

GITTES

Shut up, Duffy, you're always in

a hurry - and his friend says why

not do what-the Chinese do? So he

says what do they do? His friend

says the Chinese they screw for a

while -- just listen a second,

Duffy --

A stunning YOUNG WOMAN appears behind Gittes in his

doorway. She's shortly joined by a small, GRAY-HAIRED

MAN. They listen, unseen by Gittes.

GITTES

(continuing)

-- and then they stop and they

read a little Confucius and they

screw some more and they stop and

they smoke some opium and then

they go back and screw some more

and they stop again and they

contemplate the moon or something

and it makes it more exciting.

So this other guy goes home to

screw his wife and after a while

he stops and gets up and goes into

the other room only he reads Life

Magazine and he goes back and he

screws some more and suddenly says

excuse me a second and he gets up

and smokes a cigarette and he goes

back and by this time his wife is

getting sore as hell. So he screws

some more and then he gets up to look

at the moon and his wife says, 'What

the hell do you think you're doing?

(Gittes breaks up)

... you're screwing like a Chinaman.'

58 Gittes hangs onto Sophie's desk laughing his ass off.

The little Gray-Haired Man winces. When Gittes looks

up he sees the Young Woman, apparently in her late

twenties. She's so stunning that Gittes nearly gasps.

YOUNG WOMAN

Mr. Gittes?

GITTES

Yes?

YOUNG WOMAN

Do you know me?

GITTES

-- well -- I think I -- I

would've remembered.

YOUNG WOMAN

Have we ever met?

GITTES

Well, no.

YOUNG WOMAN

Never?

GITTES

Never.

YOUNG WOMAN

That's what I thought. You see,

I'm Mrs. Evelyn Mulwray -- you

know, Mr. Mulwray's wife.

59 Gittes is staggered. He glances down at the newspaper.

GITTES

Not that Mulwray?

EVELYN

Yes, that Mulwray, Mr. Gittes. And

since you agree with me we've never

met, you must also agree that I

haven't hired you to do anything -

certainly not spy on my husband.

I see you like publicity, Mr.

Gittes. Well, you're going to

get it -

GITTES

Now wait a minute, Mrs. Mulwray...

She's walked past him toward the door. He stop her.

GITTES

(continuing)

-- there's some misunderstanding

here. It's not going to do any

good to get tough with me --

Evelyn flashes a cold smile.

EVELYN

I don't get tough with anybody,

Mr. Gittes. My lawyer does.

Evelyn starts out the door and Gittes starts after her.

This time he's stopped by the Gray-Haired Man who has

also come out of his office and up behind him.

GRAY-HAIRED MAN

Here's something for you, Mr.

Gittes --

Gittes turns to be handed a thick sheaf of papers, a

summons and complaint. Evelyn walks out the door.

GRAY-HAIRED MAN

(continuing;

pleasantly)

I suppose we'll be hearing from

your attorney.

Gittes stares down at the papers in his hand.

60 INT. GITTES' INNER OFFICE - GITTES, DUFFY & WALSH

On Gittes' desk. there are empty coffee cups, the summons

and complaint -- and the newspaper Gittes had brought

with him from the barber shop.

The three men are sitting, worn and silent. Walsh

chewing gum is the loudest noise in the room.

Gittes looks to Walsh with obvious irritation. Walsh

stops chewing.

Duffy puts out a cigarette in the dregs of one of the

coffee cups.

GITTES

(to Duffy)

There's seven ashtrays in this

room, Duffy.

DUFFY

Okay.

GITTES

That's a filthy habit.

DUFFY

I said okay,. Jake.

GITTES

Yeah, yeah -- if she'd come in

here saying she was Shirley Temple

you'd say okay to that, too.

WALSH

Look, Jake -- she gave us Mulwray's

real phone number and address --

GITTES

All she needed for that was the

phone book!

WALSH

No, no -- she said not to call,

her husband might answer.

GITTES

-- when I find out who that phony

bitch was --

Gittes is staring down at the newspaper. He suddenly

grabs the phone, begins dialing. A tight little smile

breaks out on his face. He buzzes Sophie.

GITTES

Sophie.

SOPHIE

Yes, Mr. Gittes.

GITTES

Get me the Times -- Whitey

Mehrholtz --

(as he waits)

And how about that snotty broad?

(the phone to his

ear)

What does she think, she's perfect?

Coming in waving her lawyers and

her money at me -- so goddam smug.

She's no better than anybody else

in this town --

Sophie BUZZES.

GITTES

(continuing)

Whitey, what's new, pal?... Yeah,

listen, where did you get those

photographs... Yeah, blowing a

fuse over the El Macando love

nest -- that's cute, Whitey...

so who sent them to you... I

sent them?

(Gittes laughs a

little hysterically)

Why would I be asking how you got

them if I sent them?... Whitey?...

Whitey?... C'mon, level with me

for once, my tit's in the wringer

and it's beginning to hurt...

yeah... yeah -- yeah.

He hangs up.

WALSH

So he says you sent them?

GITTES

(after a moment)

-- they're all a bunch of phonies.

61 OMITTED

62 INT. DEPARTMENT WATER & POWER - HALL

Gittes stops outside a door marked:

HOLLIS J. MULWRAY

CHIEF ENGINEER

63 He enters an outer office. The SECRETARY looks surprised.

GITTES

Mr. Mulwray, please.

SECRETARY

He's not in, Mr. -

GITTES

Gittes.

SECRETARY

May I ask what this is regarding?

GITTES

It's personal. Has he been out long?

SECRETARY

Since lunch.

GITTES

Gee whiz --

(he glances at his

watch)

-- and I'm late.

SECRETARY

He was expecting you?

GITTES

Fifteen minutes ago. Why don't

I go in and wait?

Without waiting for a response, he does. The Secretary

half rises in protest but Gittes is through the inner

door.

64 MULWRAY'S INNER OFFICE

The walls are covered with commendation, photos of

Mulwray at various construction sites, large maps of

watershed areas and reservoirs in the city. On the

desk is a framed, tinted photo of Evelyn in riding

clothes.

Gittes moves to the desk, watching the translucent pane

in the upper half of the door leading to the outer

office as he does.

He begins to open and close. the desk drawers after

quickly examining the top. He tries one of the drawers

and it doesn't open. He reopens the top drawer, and

the bottom one opens.

He looks in it, pulls out a checkbook. He opens it --

riffles through the stubs like he was shuffling cards.

Drops it -- finds a set of keys, an old phone book, and

a menu from a Water Department lunch at the Biltmore

Hotel in 1913. Then, Gittes hauls out the blueprints

that Mulwray had laid across the hood of his car --

they read in bold type: WATERSHED AND DRAINAGE SYSTEM

FOR THE LOS ANGELES BASIN.

He flips through them -- reads one notation in Mulwray's

neat hand: "Tues. night. Oak Pass Res. - 7 channels

used."

Gittes spots a shadow looming in front of the translucent

pane. He quickly tosses item after item back, kneeing

the drawer -- nearly knocking a spare pair of Mulwray's

glasses off the desk top when he does. He catches them,

puts them on the desk and is pacing the room as the

door opens.

65 RUSS YELBURTON

enters the room. An anxious Secretary is right behind

him.

YELBURTON

Can I help you?

(extending his hand)

Russ Yelburton, Deputy Chief in

the Department.

GITTES

(equally pleasant)

J.J. Gittes -- and it's not a

departmental matter.

YELBURTON

I wonder if you'd care to wait

in my office?

This is more a request than an invitation. Gittes nods,

follows Yelburton out, through the outer office to his

offices down the hall.

YELBURTON

(continuing; as

they're going)

You see -- this whole business

in the paper with Mr. Mulwray

has us all on edge --

66 INT. YELBURTON OFFICE

Smaller than Mulwray's, he has most noticeably a

lacquered marlin mounted on the wall. There are a couple

of other pictures of Yelburton with yellowtail and other

fish he's standing beside.

There's also a small burgee of a fish with the initials

A.C. below it, tacked onto the wall.

YELBURTON

After all, you work with a man

for a certain length of time,

you come to know him, his habits,

his values, and so forth -- well

either he's the kind who chases

after women or he isn't.

GITTES

And Mulwray isn't?

YELBURTON

He never even kids about it.

GITTES

Maybe he takes it very seriously.

67 Gittes winks. Yelburton chuckles appreciatively,

loosening up a little.

GITTES

You don't happen to know where

Mr. Mulwray's having lunch?

YELBURTON

I'm sorry, I --

GITTES

Well, tell him I'll be back.

Gittes spots a card tray on Yelburton's desk.

GITTES

(continuing)

-- Mind if I take one of your

cards? In case I want to get

in touch with you again.

YELBURTON

Help yourself.

68 Gittes fishes a couple off the tray, puts them in his

handkerchief pocket. He goes out the door, nearly running

into a man who is standing by the Secretary's desk -

about GITTES' age only a head taller and a foot wider,

dressed in a plain suit that fits him about as well as

a brown paper bag.

GITTES

Mulvihlll, what are you doing

here?

69 OUTER OFFICE - YELBURTON, MULVIHILL AND GITTES

MULVIHILL stares at Gittes with unblinking eyes, remains

by the desk.

MULVIHILL

They shut my water off, what's

it to you?

GITTES

How'd you find out? You don't

drink it, you don't take a bath

in it, maybe they sent you a

letter. Ah, but then you'd have

to be able to read.

Mulvihill moves toward Gittes, shaking with fury.

Yelburton steps between them.

GITTES

(continuing)

Relax, Mulvihill, glad to see you.

(to Yelburton)

Do you know Claude Mulvihill here?

YELBURTON

Hope so. He's working for us.

70 OMMITTED

71 GITTES

turns off onto a winding road. It goes up into the

foothills.

Gittes swerves, missing a dog stretched out lazily in

the road. Gittes honks and yells indignantly at the

sleepy animal.

72 Gittes stops on a curve. Above a steep bank and partially

hidden is the Mulwray home -- designed and constructed

with shade and curves that are dramatic. When he turns

off the ignition, the distant SOUND of the SURF can be

HEARD.

Gittes heads up to the entrance.

73 EXT. MULWRAY HOUSE - GITTES

rings the bell. He waits.

A powerful CHINESE BUTLER with heavy hair and a half-

jacket of gold on one front tooth, answers the door.

GITTES

J.J. Gittes to see Mr. Mulwray.

He hands the Chinese Butler a card from his wallet. The

Butler takes it and disappears, leaving Gittes standing

in the doorway.

Gittes stands, and sweats, watching a Japanese GARDENER

trim a hedge. There's a SQUEAKING SOUND. Gittes moves

a few feet off the porch.

74 POV - GARAGE

A chauffeur is washing down a cream-colored Packard with

a chamois. Steam rises off the hood. The squeaking has

obviously come from the chamois.

75 CHINESE BUTLER

in doorway.

CHINESE BUTLER

Please.

Gittes looks behind him. The Chinese Butler is gesturing

for him to follow.

76 THROUGH THE HOUSE - GITTES

follows him, trying to check out the rooms as he goes.

A maid is cleaning in the den. They pass through it out

some French doors along a trellised walkway to a large

pond with running water.

CHINESE BUTLER

You wait, please.

77 Gittes is left standing by the pond. It's suddenly very

quiet except for the runnning water. The pond is over-

flowing. After a moment, the Gardener comes running back.

He smiles at Gittes, probes into the pond.

There's something gleaming in the bottom of it. Gittes

notes it. After a moment, the Gardener drops the long

probe -- the waters recede.

78 EXT. POND - GITTES AND JAPANESE GARDENER - DAY

GARDENER

(to Gittes)

Bad for glass.

GITTES

(not understanding)

Yeah sure. Bad for glass.

The Gardener nods, and is off, leaving Gittes staring at

the object in the bottom of the pond that is gleaming.

He looks at the tool the Gardener was using, hesitates,

picks .it up and starts to probe into the pond himself,

toward the gleaming object.

He then spots Evelyn rounding a turn, coming down the

trellised pathway. He casually belts the probe, holds

onto it for poise.

Evelyn is wearing jeans that are lathered white on the

inside of the thighs and laced with brown horsehair.

She's wearing riding boots, is perspiring a little, but

looks younger than she did in the office.

EVELYN

Yes, Mr. Gittes?

Gittes is a little taken aback at seeing Evelyn. He is

annoyed as well. Nevertheless, he is elaborately polite.

GITTES

Actually, I'm here to see your

husband, Mrs. Mulwray.

He laughs. a little nervously. He waits for a reply.

There is none. The Chinese Butler appears on the veranda.

EVELYN

Would you like something to drink?

GITTES

What are you having?

EVELYN

Iced tea.

GITTES

Yeah -- fine, thank you.

Chinese Butler nods, disappears

79 EXT. POND AND GARDEN - MULWRAY HOUSE - DAY

Evelyn sits at a glass-topped table. Gittes Joins her.

EVELYN

My husband's at the office.

GITTES

Actually he's not. And he's moved

from his apartment at the El Macando.

EVELYN

(sharply)

That's not his apartment.

GITTES

Anyway I -- the point is, Mrs.

Mulwray, I'm not in business to

be loved, but I am in business,

and believe me, whoever set up

your husband, set me up. L.A.'s

a small town, people talk --

He waits for a response. Then:

GITTES

(continuing;

uneasily)

I'm just trying to make a living,

and I don't want to become a

local Joke -

EVELYN

Mr. Gittes, you've talked me into

it. I'll drop the lawsuit.

GITTES

What ?

EVELYN

I said I'll drop it.

The iced tea comes on a tray which Ramon sets down

between them.

EVELYN

(continuing;

pleasantly)

-- so let's just -- drop the

whole thing. Sugar? Lemon --

GITTES

Mrs. Mulwray?

EVELYN

(as she's mixing

one of the drinks)

-- Yes, Mr. Gittes?

GITTES

I don't want to drop it.

80 Evelyn looks up. Gittes smiles a little sheepishly.

GITTES

I should talk this over with your

husband.

EVELYN

(a little concerned)

Why?... What on earth for?

Look, Hollis seems to think

you're an innocent man.

GITTES

Well, I've been accused of many

things, Mrs. Mulwray, but never

that.

Again he laughs a little nervously. Again no reaction.

GITTES

(continuing)

You see, somebody went to a lot

of trouble here, and I want to

find out, lawsuit or no lawsuit.

I'm not the one who's supposed to

be caught with my pants down...

so I'd like to see your husband --

unless that's a problem.

EVELYN

(with a slight edge)

What do you mean?

GITTES

May I speak frankly, Mrs. Mulwray?

EVELYN

You may if you can, Mr. Gittes.

GITTES

(determined to be

polite)

-- Well, that little girlfriend,

she was attractive -- in a cheap

sort of way of course -- she's

disappeared. Maybe they disappeared

together somewhere.

EVELYN

(with rising anger)

Suppose they did. How does it

concern you?

GITTES

-- Nothing personal, Mrs. Mulwray,

I just --

EVELYN

It's very personal. It couldn't

be more personal. Is this a

business or an obsession with you?

GITTES

Look at it this way -- Now this

phony broad, excuse the language,

says she's you, she's hired me.

Whoever put her up to it, didn't

have anything against me. They

were out to get your husband.

Now if I see him, I can help him

did you talk this morning?

81 Evelyn brushes lightly at the horsehair on her Jeans.

EVELYN

-- No. I went riding rather early --

GITTES

-- Looks Like you went quite a

distance --

EVELYN

No, Just riding bareback, that's

all. Anyway, you might try the

Oak Pass or Stone Canyon Reservoirs

-- sometimes at lunch Hollis takes

walks around them -- otherwise he'll

be home by 6:30.

GITTES

I'll stop by.

EVELYN

Please call first.

Gittes nods.

82 EXT. OAK PASS RESERVOIR - DAY

Gittes drives up a winding road, following a flood

channel up into the parched hills.

83 TWO FIRE TRUCKS

one a rescue truck, are at the entrance to the reservoir.

The chain link fence with its KEEP OUT sign is open and

there are people milling around. The reservoir is below.

Gittes' car is stopped by a couple of UNIFORMED POLICE.

GUARD

Sorry, this is closed to the

public, sir.

Gittes hesitates only a moment, then:

GITTES

(to the Guard)

It's all right -- Russ Yelburton,

Deputy Chief in the Department.

He fishes out one of Yelburton's cards from his

handkerchief pocket -- hands it to the Guard.

GUARD

Sorry, Mr. Yelburton. Go on down.

84 Gittes drives past the Guards, through the gate, along

the reservoir. He spots a police car and an unmarked

one as well.

Gittes stops and gets out of the car. Several men with

their backs turned, one talking quietly, staring down

into the reservoir where other men in small skiffs are

apparently dredging for something.

One of the men turns and sees Gittes. He recognizes

Gittes and is visibly shocked.

LOACH

Gittes -- for Chrissakes --

GITTES

Loach --

LOACH

(moving to Gittes,

taking him by the

arm)

-- C'mon, get out of here before --

85 EXT. RESERVOIR - DAY

Loach tries to ease him down the path.

GITTES

Before what? What the hell's

going on?

At the sound of his raised voice, a man standing at the

edge of the channel, talking to two boys in swimming

trunks, turns around. He's a tall, sleek Mexican in

his early thirties, LUIS ESC0BAR.

Both Gittes and Escobar register considerable surprise

at seeing one another. The men around them are extremely

uneasy.

Loach is actually sweating. Finally, Escobar smiles.

ESCOBAR

Hello, Jake.

GITTES

(without smiling)

How are you, Lou?

ESCOBAR

-- I have a cold I can't seem to

shake but other than that, I'm

fine.

GITTES

Summer colds are the worst.

ESCOBAR

Yeah, they are.

Gittes reaches into his pocket, pulls out his cigarette

case.

A FIREMAN

No smoking, sir -- it's a fire

hazard this time of year --

ESCOBAR

I think we can make an exception

-- I'll see he's careful with the

matches.

GITTES

(lighting up)

Thanks, Lou.

ESCOBAR

How'd you get past the guards?

GITTES

Well, to tell you the truth, I

lied a little.

86 Escobar nods. They walk a couple of steps -- the other

police -- two plainclothesmen and a uniformed officer

watch them.

ESCOBAR

You've done well by yourself.

GITTES

I get by.

ESCOBAR

Well, sometimes it takes a while

for a man to find himself and I

guess you have.

LOACH

Poking around in other people's

dirty linen.

GITTES

Yeah. Tell me. You still throw

Chinamen into jail for spitting

on the laundry?

ESCOBAR

You're behind the times, Jake --

they've got steam irons now --

(smiles)

And I'm out of Chinatown.

GITTES

Since when?

ESCOBAR

Since I made Lieutenant --

It's apparent Gittes is impressed despite himself.

GITTES

Congratulations.

ESCOBAR

Uh-huh -- so what are you doing

here?

GITTES

Looking for someone.

ESCOBAR

Who?

GITTES

Hollis Mulwray. You seen him?

ESCOBAR

Oh yes.

GITTES

I'd like to talk to him.

ESCOBAR

You're welcome to try. There he is.

87 Escobar points down to the reservoir -- a couple of men

using poles with hooks are fishing about in the water.

It can be SEEN that one of them has hooked something.

He shouts. The other man hooks it, too. They pull,

revealing the soaking back of a man's coat -- they start

to pull the body into the skiff.

88 INT. CORONER'S OFFICE - EVELYN AND ESCOBAR

are standing over the body of Mulwray. Escobar has the

sheet drawn back. Evelyn nods.

Escobar drops the sheet. Escobar and Evelyn move a

few feet to one side and whisper, almost as though they

were trying to keep the corpse from hearing them.

ESCOBAR

-- It looks like he was washed

the entire length of the runoff

channel -- could he swim?

EVELYN

Of course.

ESCOBAR

-- Obviously the fall must have

knocked him out --

Evelyn nods slightly Escobar coughs. A coroner's

assistant wheels the body out of the office.

ESCOBAR

(continuing)

-- This alleged affair he was

having -- the publicity didn't

make him morose or unhappy?

89 OUTSIDE THE CORONER'S

Gittes has been sitting on a wooden bench, smoking and

listening. At this question, he rises and looks through

the doorway.

9O Escobar sees him, ignores him. Evelyn doesn't see him.

EVELYN

... Well, it didn't make him

happy...

ESCOBAR

But there is no possibility he

would have taken his own life?

EVELYN

(sharply)

No.

ESCOBAR

(a little uncomfortably

now)

Mrs. Mulwray, do you happen to know

the name of the young woman in

question?

Evelyn shows a flash of annoyance.

EVELYN

No.

ESCOBAR

Do you know where she might be?

EVELYN

Certainly not!

Escobar and Evelyn move slowly toward the door.

ESCOBAR

You and your husband never

discussed her?

EVELYN.

(stopping, faltering)

He... we did... he wouldn't tell

me her name. We quarreled over

her... of course -- it came as a

complete surprise to me --

ESCOBAR

A complete surprise?

EVELYN

-- Yes.

ESCOBAR

But I thought you'd hired a

private investigator --

EVELYN

A private investigator?

ESCOBAR

(gesturing vaguely

toward the door)

Mr. Gittes.

EVELYN

Well yes --

91 Evelyn looks up to see Gittes standing in the doorway

only a foot or two from her. She stops cold. They look

at one another for a long moment.

EVELYN

(her eyes on Gittes)

But I... I... did that because

I thought it was a nasty rumor I'd

put an end to...

She finishes, looks plaintively at Gittes. Escobar is

right at her back. Gittes says nothing.

ESCOBAR

-- And when did Mr. Gittes inform

you that these rumors had some

foundation in fact?

Evelyn looks at Escobar but doesn't know how to answer him.

GITTES

(smoothly)

-- Just before the story broke in

the papers, Lou.

92 Escobar nods. They begin to walk slowly, again have to

move out of the way as some other corpse is being wheeled

out of one of the Coroner cubicles.

ESCOBAR

-- You wouldn't happen to know

the present whereabouts of the

young woman.

GITTES

-- No.

ESCOBAR

Or her name?

GITTES

-- No.

They have walked a few steps further down the hall.

EVELYN

Will you need me for anything

else, Lieutenant?

ESCOBAR

I don't think so, Mrs. Mulwray.

Of course you have my deepest

sympathy -- and -- if we need

anymore information, we'll be

in touch.

GITTES

I'll walk her to her car, be

right back.

93 ESCOBAR'S POV

Evelyn glances at Gittes. They go through a couple of

outer doors and pass several reporters who have been

in the outer hall, laughing, kidding, the tag end of

lines like "only in L.A." and "Southern Cafeteria."

Gittes hurries her past the reporters who flank them,

asking questions. Gittes brushes them aside.

94 EVELYN AND GITTES - AT HER CAR

in a small parking lot.

Evelyn fumbles in her bag, looking feverishly for some-

thing in her purse.

GITTES

Mrs. Mulwray?... Mrs. Mulwray.

EVELYN

(flushed, perspiring)

... Just a minute...

GITTES

(touching her gently)

-- You left your keys in the ignition.

EVELYN

Oh... thank you.

She glances down, leans against the side of the car.

EVELYN

(continuing)

Thank you for going along with

me. I just didn't want to explain

anything... I'll send you a check.

GITTES

(puzzled)

A check?

Evelyn gets in her car.

EVELYN

To make it official, I hired you.

She drives off, leaving Gittes gaping.

95 INT. CORONER'S OFFICE HALLWAY

GITTES

Don't give me that, Lou. You

hauled me down here for a statement.

Escobar shrugs.

ESCOBAR

I don't want it anymore.

GITTES

No?

ESCOBAR

No -- it was an accident.

GITTES

You mean that's what you're going

to call it.

Escobar looks up.

ESCOBAR

That's right.

(contemptuously)

Out of respect for his civic

position.

Resume walking.

Gittes laughs.

GITTES

What'd he do, Lou, make a pass

at your sister?

Escobar stops.

ESCOBAR

No -- he drowned a cousin of mine

with about five hundred other

people. But -- they weren't

very important, Just a bunch of

dumb Mexicans living by a dam.

Now beat it, Gittes, you don't

come out of this smelling like

a rose, you know.

GITTES

Oh yeah? Can you think of

something to charge me with?

ESCOBAR

When I do, you'll hear about it.

Gittes nods, turns, and walks down the hall.

96 OUTSIDE MORGUE

Gittes stops by a body on the table, the toe tagged with

Mulwray's name. MORTY is standing near it in a doorway

to an adjoining room. A RADIO is on, and with it the

announcement that they're about to hear another chapter

in the life of Lorenzo Jones and his devoted wife, Belle.

Another Coroner's assistant sits at the table, listening

to the radio and eating a sandwich.

97 Gittes ambles into the room.

MORTY

(a cigarette dangling

out of his mouth)

Jake, what're you doin' here?

GITTES

Nothin', Morty, it's my lunch

hour, I thought I'd drop by and

see who died lately.

Gittes picks up the sheet and pulls it back. CAMERA

GETS ITS FIRST GLIMPSE of Mulwray's body -- eyes open,

the face badly cut and bruised.

MORTY

Yeah? Ain't that something?

Middle of a drought, the water

commissioner drowns -- only in L.A.

GITTES

(looking at. Mulwray)

-- Yeah -- banged up pretty bad --

MORTY

-- That's a long fall.

GITTES

-- So how are you, Morty?

Morty is whe

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